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A displaced person pictures the country and the city where he or she was born. Neither the city nor the country is ever named and this lack of specific detail seems intentional. It is as if Rumens wants her poem to be relevant to as many people who have left their homelands as possible.

Emigrants are people who have left the country of their birth to settle elsewhere in the world. The spelling of the word Rumens chooses - émigrée - is a feminine form and suggests the speaker of the poem is a woman.

The exact location of the city is unclear and precise details of it are sparse. Perhaps it only ever really existed in the émigrée’s imagination.

Rumens suggests the city and country may now be war-torn, or under the control of a dictatorial government that has banned the language the speaker once knew. Despite this, nothing shakes the light-filled impression of a perfect place that the émigrée’s childhood memories have left. This shows the power that places can have, even over people who have left them long ago and who have never revisited since. Though there is a clear sense of fondness for the place, there is also a more threatening tone in the poem, suggesting perhaps that the relationship with the past and with this place is not necessarily positive for the speaker.

Read the poem here.

Compare 'The Émigrée' and 'Tissue' in this podcast

In this episode, Testament and Imtiaz Dharker discuss the poems 'The Émigrée' by Carol Rumens and 'Tissue' by Imtiaz Dharker.

Listen to the full series on ����ý Sounds