Steve Reich: Clapping Music
Steve Reich
Steve Reich is an American composer, born in 1936. He wrote some serial music but preferred the diatonicMusic in a conventional major or minor key. and tonal sound of minimalism. Having been influenced by the compositions of Terry Riley, Reich began composing in the minimalist art form. His influences include jazzA genre of music that has swing and syncopated rhythms, and extended chords., Balinese gamelanA musical ensemble emanating from the Indonesian islands of Java and Bali., music from sub-Saharan Africa and Middle Eastern singing.
The elements of music to consider
Clapping Music was composed in 1972. The music has been stripped down to the very basics and contains no melody, harmony, instruments or voices.
Melody
The music has no melody as it is composed solely on rhythm.
Instrumentation
The music consists of two performers clapping throughout with no instruments or voices. The two clapping performers can choose whether they want to clap with cupped or flat hands but both performers must do the same.
Tempo, rhythm and metre
The music is based on a version of the traditional African bell rhythm. This has a 12/8 time signatureNumbers or letters written at the start of a piece of music depicting how many beats are in a bar and what type of beat are in each bar. and is in compound timeWhere each beat of the bar is divided into three.. It has a quick tempoThe speed or pace of performance in speech, dance or music. and should be performed around 180 bpmBeats per minute.. The music should last around five minutes.
Texture and structure
Each performer begins by clapping their given pattern. They perform the same one-bar rhythm in unisonTwo parts with matching rhythms and pitch or played in octaves. with the number of repeats fixed at 12 repeats per bar.
The performer with clapping rhythm 1 repeats their rhythm continuously without change. The performer clapping rhythm 2 shifts the whole pattern a quaver forward after 12 repetitions. This technique is called phrase shiftWhere two or more versions of a sound or musical motif are played simultaneously but slightly out of sync. . As the phrases move out of sync with one another, a polyrhythmConflicting rhythms being played at the same time. texture is created. The process continues until both performers are synchronised once more clapping the same rhythm in unison.