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Stephen Schwartz: Defying Gravity from Wicked - EduqasMusical description

Stephen Schwartz composed Defying Gravity for the musical Wicked that opened in 2003. It is a vocal duet between two witches and is one of the biggest songs of the musical, finishing the first act.

Part of MusicMusic for ensemble

Musical description

Introduction - from bar 1

Metre

The opening bars are marked . This means the band musicians could follow the vocal lead with each new performance and lead performer.

In the second half of the introduction the music is at tempo. Pauses are added in bar 29 to wait for the speaking interludes.

Instrumentation

The text is disrupted by played by the full band. Here the texture is just the voice and chords held by the band, known as .

Tonality

The first three are D major, C# minor and C major. This means that the is ambiguous, ie there is no clear sense of key.

An excerpt of the chords used to create an ambiguous tone from the Wicked Song, Defying Gravity.
Figure caption,
The chords in the opening 8 bars are not related by the same key signature

Melody

Two are heard in bars 20 and 21, first in the bass and then on the . These leitmotifs are repeated frequently. The leitmotif in bar 20 is used to represent Elphaba and is known as Elphaba鈥檚 theme.

Audio of the light brass section underneath the two vocalists playing Elphaba's theme

Texture

A opening is written just for the solo voice. The listener hears when the band enters.

Verse 1 - from bar 34

Instrumentation

The strings play with a effect to convey the mood of anticipation.

Harmony

The chords played are , which denotes the opportunity for Elphaba to flee.

Melody

The melody opens with a repeat of Elphaba's leitmotif from bars 20 to 21. Only five different pitches are used at bar 32, again at 42 and again at 46.