Musical description
Introduction - from bar 1
Metre
The opening bars are marked colla voceFollow the solo voice.. This means the band musicians could follow the vocal lead with each new performance and lead performer.
In the second half of the introduction the music is at andanteAt a walking pace. tempo. Pauses are added in bar 29 to wait for the speaking interludes.
Instrumentation
The text is disrupted by stab chordA single staccato note played as a chord. played by the full band. Here the texture is just the voice and homophonicA texture based on chords. chords held by the band, known as melody-dominated homophonyA musical texture which features a melody with accompaniment..
Tonality
The first three chordA collection of usually three notes played together. are D major, C# minor and C major. This means that the tonality The key which the piece of music is in. The key is indicated on the score at the start of the music often with sharp (#) and flat (b) symbols. is ambiguous, ie there is no clear sense of key.
Melody
Two leitmotifA recurring musical theme representing a person, place, mood or emotion. are heard in bars 20 and 21, first in the bass and then on the synthesiserA device for generating a unique sound or imitating an acoustic instrument.. These leitmotifs are repeated frequently. The leitmotif in bar 20 is used to represent Elphaba and is known as Elphaba鈥檚 theme.
Texture
A monophonicA texture consisting of a solo musical line. opening is written just for the solo voice. The listener hears melody-dominated homophonyA musical texture which features a melody with accompaniment. when the band enters.
Verse 1 - from bar 34
Instrumentation
The strings play with a tremoloRapid repetition of the same note. effect to convey the mood of anticipation.
Harmony
The chords played are bare fifth/open fifthA chord that doesn't include the third, eg in a C major chord only the pitches C (I) and G (V) are played., which denotes the opportunity for Elphaba to flee.
Melody
The melody opens with a repeat of Elphaba's leitmotif from bars 20 to 21. Only five different pitches are used at bar 32, again at 42 and again at 46.