Props and costume design
Props
A propAny object used on set or stage. Can help to denote time, place, character and add to the drama, eg Macbeth's letter read by Lady Macbeth. is considered to be anything movable and touched by the actors - otherwise it is considered part of the set. Usually the design of props is the set designer鈥檚 responsibility, but costume designers are responsible for any props that form part of a costume, eg umbrellas and bags.
Like all design areas, props need to be in line with the briefGuidelines for designers based on the director's artistic intentions for the performance.. The design of props, however, also has to consider durabilityThe ability of a material to withstand wear, especially as a result of weathering. and how easily a prop can be handled and maneuvered. When props need to be smashed on stage, they can be made out of sugar glassMaterial made out of sugar to mimic glass. as a health and safety measure as it easily crumbles into small pieces rather than producing sharp shards.
Props can be symbolicA symbol can represent an abstract idea, eg the colour red representing romance or a dove representing peace.. For example, a character that regularly holds a hot drink can be communicating that they need warmth and comfort. How actors interact with props can also communicate meaning - fiddling with a prop can indicate nerves or anxiety, for example.
Costumes
The designing of the clothes worn by actors on stage is called costume design. The styleHow theatrical ideas are presented on stage. of the performance is one of the most important factors that influences costume design.
It is important to have all the information outlined in the brief before starting costume designs. The designs should consider:
- materials - they must be appropriate for the performance鈥檚 time periodA specific time in history., style and character, without being too costly
- colour - this is often symbolic, eg white traditionally symbolises innocence, but can also be altered by stage lights
- texture - how the costume feels and looks
- appearance - to communicate meaning to the audience, eg clean and smartly ironed or ripped and dirty
- fit or cut - this can say a lot about a character, eg if it doesn鈥檛 fit the character鈥檚 shape it can indicate that the character is in a bad financial situation
- movement constraints - costumes that are too tight might be restricting and prevent the actor from performing properly
- adornments - the decorations or embellishments on a costume, eg jewellery and medals, are useful for indicating wealth or status
Hair, wigs, make-up and masks are also included within a costume designer鈥檚 role and need to be in line with the style of the performance and the rest of the costume design.
More guides on this topic
- Responding to a stimulus - Eduqas
- Developing an idea - Eduqas
- Selecting a genre or performance style - Eduqas
- Selecting a practitioner - Eduqas
- Rehearsing for a performance - Eduqas
- Refining a performance - Eduqas
- Interpreting and performing a character - Eduqas
- Health and safety considerations - Eduqas
- Creating a portfolio or devising log - Eduqas