大象传媒

Santana: Smooth - AQAThe elements of music to consider

Smooth was written by the award-winning Mexican-American guitarist and songwriter Carlos Santana, who founded the band Santana in 1966. Smooth was the most famous single from the album Supernatural and is a collaboration between Santana and singer Rob Thomas. It remains one of the biggest selling hits of all time.

Part of MusicTraditional music

The elements of music to consider

Structure

The song is written in a verse-chorus format. The structure is:

  1. introduction
  2. verse 1
  3. pre-chorus
  4. chorus
  5. verse 2
  6. pre-chorus
  7. chorus 2
  8. guitar solo
  9. chorus 3
  10. outro

Instrumentation and timbre

The instruments and points regarding timbre in the song include:

  • Smooth combines rock and instruments
  • a distortion effect is applied to the guitar and vocal line

Harmony and tonality

The essential features include:

  • the harmonic structure is largely based on three chords - Am (I), F (VI) and E (V)
  • some chords have added sevenths
  • inverted chords are played by a Hammond organ
  • the key signature is A minor

Tempo, metre and rhythm

The features to take note from the song are:

  • the tempo is moderate, set at 114 throughout
  • the metre of the song is 4/4
  • triplet measures are included in the piece
  • countermelodies are played by the horns
  • percussion rhythms are deployed
  • rhythmic stabs emphasise the lyrics in the song
  • the bass plays a syncopated riff, the guitar leads the main melodic theme and the horns add a syncopated countermelody

Listen to the bass line with its syncopated rhythm

Texture

If asked about the textures in the song, refer to:

  • the three-part polyphonic texture in the introduction
  • the horns play in unison and close harmony
  • the vocal line is harmonised in the pre-chorus and chorus
  • the outro is polyphonic

Melody

Remember the following points regarding melody:

  • there is minimal use of on held guitar notes
  • the horns enter in the second half of the verse, playing a syncopated countermelody in octaves
  • features of the vocal melody are:
    • a limited range of notes, ie. a fifth between the tonic (A) and dominant (E)
    • it begins part-way through the bar
    • the improvisatory response from the guitar at the end each phrase
  • the piece includes a guitar solo which plays a wide pitch range
  • guitar techniques employed include vibrato on long notes, glissando, and rapid tremolo