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Archives for July 2011

HD streaming for the Hungarian Grand Prix

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Andy Armstrong Andy Armstrong | 11:41 UK time, Friday, 29 July 2011

As promised here's a follow-up to the trial of HD HTTP adaptive streaming we ran during Wimbledon.

The trial produced a lot of useful feedback and data for us. So much, in fact, that it's taken us longer than expected to digest it all and make plans for our next trial; more about that later.

The 大象传媒's HD HTTP adaptive bitrate streaming experiment on three screens

The HD adaptive bitrate trail on three screens.

Our objectives for the trial covered two broad areas: we wanted to see how the HTTP Adaptive bit rate player performed in real-world conditions and we also wanted to gain a better understanding of how our infrastructure - the systems behind the scenes that supply video to the player - would handle the traffic generated by ABR streaming.

Many of you took the time to give us feedback about how the player was working. As we expected there were a few issues: some of you were not getting full quality HD; occasionally a fragment of old video would show up in the stream; sometimes the bit rate switching was not as stable as we would have liked. We read each of the 212 comments and categorised the problems into eight distinct areas so we could start work on fixing them:

  • iPlayer user interface
  • Variations in video quality
  • Delays / buffering
  • Old video fragments
  • Latency relative to live event
  • Switching performance
  • Jerky playback
  • Other

In general though the adaptive bit rate streaming seems to have been a success. Here's what A Poskitt wrote in a comment on the blog post:

Andy, I am at the end of the line here in Wales with max. speed 0.5MB. However your streaming is like I have never seen it before, continuous and clear as a bell even on the maximum 4 that I receive. I have seen real TV on my computer for the first time!

The feedback you gave us has already been put to good use; it's told us things we couldn't have found out in the lab. We literally couldn't have done it without you.

It's also given the programmers who are working on this a great incentive to make it work even better; I think a remark I overheard sums that up: "Isn't it amazing that people are taking so much time to write detailed, accurate feedback - makes it all seem worthwhile". It does indeed. Thank you all for taking the time to share your thoughts and comments with us.

So, what next? One of the things that disappointed quite a few people was that we were only able to run the trial during office hours. That was disappointing for us too - we want to know more about how well HTTP adaptive bit rate streaming works on domestic broadband connections. When the trial is run during office hours, unsurprisingly, most of the traffic comes from office networks. So this weekend we're going to run . We'll cover the qualifying session from 12:10 to 14:20 on Saturday and the race from 12:05 to 15:25 on Sunday. See you there.

Andy Armstrong is the Technical Architect for Programmes and On Demand

5 Most Interesting Stories from the Fortnight

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Ian McDonald Ian McDonald | 18:00 UK time, Friday, 22 July 2011

Laura Kuenssberg outside 10 Downing Street

Laura Kuenssberg is taking her 65,000 Twitter followers with her as she moves from the 大象传媒 to ITV

  1. The fortnight began with a detailed account of from Tammy Gur. Because I was lucky enough to work with Tammy on a previous World Service redesign, I know well how each website is built for the output and audience of that service - and will admit to a little envy of 's scoop.

    The post gives a more general view than Kutlu Canliogu's excellent post about typography, but not quite as general as .

  2. 大象传媒 News announced updated social media guidance on Friday 15th, drawing a clear line around offical 大象传媒 twitter accounts (which are prefixed with "大象传媒" and stick to a journalist's beat ).

    For example, Philippa Thomas's twitter account, which includes her personal observations, changed ; and when @大象传媒LauraK took her 65,000 followers to @ITVLauraK, new chief political correspondent Norman Smith became .

    The guidance arrived 16 hours too late to make it into .
  3. The mobile mapping experiment which 大象传媒 News began on Monday 18th has taken off with 36,000 Android users by the Friday. This project aims to crowdsource the mobile network strength around the UK, discovering the hotspots and the notspots.
  4. On Thursday 21st, Research and Development announced the results of Musical Moods - after 15,000 people listened to 56,000 theme tunes, they discovered how much they could tell about the genre and contents of a show from the music.

    Surprsingly, they found that they do not always go together:
    Total Wipeout is a program about people falling into water and yet it appears to have a serious theme tune to those who don鈥檛 recognize the theme.
    The intention is to help folk search the archive; to enable our search engine to listen to a programme and index the mood minute by minute.
  5. Today Friday, Justin Mitchell at 大象传媒 R&D explained how they were slipping a broadcast signal designed for cars and mobiles (DVB-T2-Lite) into the gaps in the Freeview High Definition signal (DVB-T2).

    This is important not just because of the areas of poor bandwidth the mobile mapping experiment is looking into, but - says .

    The DVB-T2 signal comes with gaps called "Future Extension Frames", included in the standard as a future-proofing contingency, and the new DVB-T2-Lite profile uses those Future Extension Frames. This fortnight engineers put a test transmitter on the roof of 大象传媒 R&D London, just across the road from 大象传媒 News, testing out the new standard in practice. Find out how DVB-T2-Lite works at the Research and Development blog.
Graph of interlocking blue and yellow waveforms.

Oscilloscope showing how the mobile signal (blue) fits into the "future extension frames" or gaps in the Freeview HD signal (yellow)

Ian McDonald is the Content Producer, 大象传媒 Internet Blog

One word edit on 2nd August 2011 to describe the updated social media guidance as simply that.

大象传媒 News and 大象传媒 iPlayer web icons arrive on BlackBerry PlayBook

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Abigail Khanna Abigail Khanna | 14:00 UK time, Tuesday, 19 July 2011

The 大象传媒鈥檚 Director of Future Media, Ralph Rivera, spoke at a 大象传媒 Online industry event last month, and again during a keynote at last week鈥檚 Intellect Annual Conference about the strategy for 大象传媒 Online: one service, ten products, four screens.听 We鈥檙e excited about the emergence of a post-PC world and opportunities to reach audiences on whatever 鈥榩iece of glass鈥 they choose.听

To this end, I鈥檓 pleased to announce today the launch of 大象传媒 News and 大象传媒 iPlayer web icons (shortcuts) on the BlackBerry PlayBook tablet.听From today, all new BlackBerry PlayBook tablets will come with the web icons pre-installed.听Existing users will be presented with a software update notification on their status ribbon or can access the update at any time from the Software Updates item in the Settings Menu.听The addition of these web icons provides more convenient access to 大象传媒 News and a wealth of 大象传媒 programmes on demand.听

tablet screenshot with a dozen software icons, including 大象传媒 News and iPlayer

The 大象传媒 aims to make its content available as widely as possible.听In the 大象传媒 Future Media Business Development team where I work we鈥檙e constantly forging relationships with industry to deliver greater value for money for licence-fee payers, by repurposing 大象传媒 Online products for the widest range of devices we can.听These partnerships have already enabled delivery of versions of the 大象传媒 News application for Apple and Android devices, and a version of the 大象传媒 iPlayer app for Apple鈥檚 iPad and Android mobile and tablet devices.

The 大象传媒 News shortcut will link to the desktop version of the 大象传媒 News website, and the 大象传媒 iPlayer shortcut will link to a browser optimised for portable devices. The growth rate in tablets is outstripping that of PCs so we鈥檙e pleased to be able to bring these products to a wider tablet audience.

Lastly, many of you will have already used the shortcuts we developed for BlackBerry smartphones last year.听We鈥檝e had to roll these back because of technical issues; we鈥檙e currently investigating these issues and will re-introduce the shortcuts when resolved.

Abigail Khanna is Senior Business Development Manager, 大象传媒 Future Media

What's On 大象传媒 Red Button 19th July - 1st August

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Lisa Dawson Lisa Dawson | 14:10 UK time, Monday, 18 July 2011

What's On Red Button banner

大象传媒 Proms Maestro Cam and Solo Cam


This Proms season, 大象传媒 Red Button returns with a selection of services available alongside the regular broadcasts for selected performances.

Maestro Cam and Solo Cam will focus exclusively on the conductors and soloists respectively, giving viewers an alternative perspective on the Proms from amongst the musicians themselves. By pressing red, viewers can also listen to live commentary from an expert conductor and hear their unique insights into the music as the work is played.

The service will be available for six Proms, continuing on Thursday 21st July from 7:30pm with Prom 9 and, Thursday 28th July from 7:30pm with Prom 14.

Prom 9
Maestro Cam will feature Sir Mark Elder conducting the Hall茅 Orchestra performing music by Sibelius, Bart贸k and Jan谩膷ek. Bart贸k's Piano Concerto No 3 will be performed by pianist Andr谩s Schiff and feature on the evening's Solo Cam.

In addition, optional expert commentary will be supplied by conductor Matthew Rowe.

Available on all platforms
Thu 21st July, 7:30pm-9:45pm
Fri 22nd July, 1:45am-4:00am

Prom 14
Maestro Cam will feature Sir Roger Norrington conducting the Stuttgart Radio Symphony Orchestra performing Mahler鈥檚 Symphony No 9.

Once again optional expert commentary will be supplied by conductor Matthew Rowe.

Find out more at bbc.co.uk/proms or follow @大象传媒Proms on

Available on all platforms
Thu 28th July, 7:30pm-9:00pm
Fri 29th July, 2:55am-4:25am

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大象传媒 News maps the Mobile Internet

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Ian McDonald Ian McDonald | 14:01 UK time, Monday, 18 July 2011

Mobile Mapping application showing 3G reception in Sheperd's Bush

The UK Mobile Mapping app at work in the 大象传媒 Online offices

大象传媒 News are asking audience members to help build a UK mobile internet map. 大象传媒 News Technology Correspondent Rory Cellan-Jones blogged:

We're mounting an ambitious project to try to map mobile coverage across the UK - and, if you have an Android phone, you can be part of it. From today you can download an app which will record the signal you're getting on your phone - 3G, 2G or nothing - and feed the data back to our research project.

大象传媒 News are working with Epitro, who .

As news spread across twitter, Open Signal Maps reminded everyone that at least one other mobile mapping project is available:

@stephenfry Any chance you can RT our mobile signal crowdsourcing app also to help with the effort? Its a good cause :)
Mon 18 Jul 13:10

Rory updated his blog after talking with Brendan Gill of Open Signal Maps, who also use an Android app:

Like us, they've found that it's very difficult for an iPhone in particular to collect data such as signal strength from the phone. The open Android system seems to allow developers far more flexibility.

You can read and comment about the UK Mobile Map on Rory Cellan-Jone's blog post, or the 大象传媒 News article. You can also can download the Android app (warning: long license text) from the Android Market.

Ian McDonald is the Content Producer, 大象传媒 Internet Blog

Social media guidance for 大象传媒 journalists

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Nick Reynolds Nick Reynolds | 13:45 UK time, Thursday, 14 July 2011

Regular readers will be interested in this blog post published today on the Editors blog at 大象传媒 News.

Chris Hamilton (Social Media Editor, 大象传媒 News) writes:

"The guidance is based on common sense, the section on personal activity starting with the phrase: "Don't do anything stupid". It goes on to say - among other things - that you shouldn't say anything that compromises your impartiality or sound off "in an openly partisan way".

Read more and comment at the Editors blog at 大象传媒 News.

Nick Reynolds is Social Media Executive, 大象传媒 Online

大象传媒 Annual Report 2010/11: 大象传媒 Online headlines

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Ian McDonald Ian McDonald | 21:12 UK time, Tuesday, 12 July 2011

The 大象传媒's Annual Report听was released today.

Here are a couple of headlines relevant to 大象传媒 Online:

As Ralph Rivera announced at the 大象传媒 Online Industry Briefing, more than the target of 25% spent on 大象传媒 online services听went to external companies.

Despite losing two video streams, more UK adults used 大象传媒 Red Button services in an average week this year than last.

The proportion of UK adults using bbc.co.uk in an average week went up from 38% to 42%:

大象传媒 Online came third only to 大象传媒 One and 大象传媒 Two in terms of reach, being used by 19.5 million adults each week, up from 17 million in 2009/10. This represents 57% of adults online.

The text of the 大象传媒 Trust and 大象传媒 Executive reports is available under an open license:

The text of this document may be reproduced free of charge in any format or medium providing that it is done so accurately and not in a misleading context. It must be accredited to the 大象传媒.

You can read Mark Thompson's post on the About the 大象传媒 blog, and the documents on the Annual Report website.

Ian McDonald is Content Producer, 大象传媒 Internet blog

The Five Most Interesting Stories from Our Week

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Ian McDonald Ian McDonald | 17:00 UK time, Friday, 8 July 2011

view from above of the All England Lawn Tennis and Croquet Club

Venue Vu embeds live footage (eg the leftmost court) into a CGI Wimbledon

  1. The weekend saw Britain triumph at Wimbledon. Not at tennis, obviously, but in broadcasting technology. Not only did it see the 大象传媒鈥檚 first ever 3D broadcast听and CGI flights over Wimbledon, but thousands of you helped us by taking part in our trial of HD over HTTP. For audio, 5 Live trialled software to let you control the balance between tennis and commentary. If this inspires you (and you听are an听audio ubergeek) R&D are recruiting a senior audio expert.
  2. 大象传媒 technologist Richard Courtice raised wrote to 大象传媒 staff paper Ariel about headline-only feeds for the 大象传媒 News blogs. The product manager of the 大象传媒 News Website confirmed:
    We plan to move to an RSS format that includes the full text of each item over the next few months.
  3. On Wednesday, 大象传媒 Trust chair Lord Patten told the Royal Television Society that the values of the 大象传媒 matched the values of the Internet.
    Both the internet and the 大象传媒 form part of the public realm. Both are fundamentally democratic. Combine the social and personal elements of the internet with the editorial and curatorial ambition of the 大象传媒 and we can create something exceptional.

    He听expressed his concern听(about which he 听interesting) that the听internet might lose its grassroots diversity

    The 大象传媒 also has to contend with the threats posed to the online world by the market. The history of all other media is of a fight for greater control, with a risk of oligopoly. We should do what we can to avoid the shrinking of the internet as an open, democratic territory.
  4. After a two-day delay to say goodbye, and three days after the听, the Ouch Messageboard closes today in line with听大象传媒 strategy to focus discussions around content.听Some messageboard members set up a听.
  5. And finally, Phil Buckley revealed today听in discussions about the new C大象传媒 Newsround website that even being the product lead for C大象传媒 and CBeebies is not enough to impress his children:
    they vaguely understand that their dad does something to do with C大象传媒 and CBeebies but they don't think it's that cool; meantime I get loads of free user testing

(Confused reports听on Monday about the 大象传媒 allegedly banning staff from tweeting do not qualify for this list because they proved to be inaccurate.)

Ian McDonald is the Content Producer, 大象传媒 Internet Blog

Audience Information Pack, January - March 2011

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Ian McDonald Ian McDonald | 11:07 UK time, Thursday, 7 July 2011

1960s TV audience laughing

David Jacobs warms up the audience for Juke Box Jury,1964

This morning, the 大象传媒 published its first Audience Information Pack, and Head of Audiences James Holden听wrote about sharing the 大象传媒's audience information听at the About the 大象传媒 blog:

In December 2010 the 大象传媒 published its new strategy Putting Quality First and in this new strategy, the 大象传媒 Trust pledged to set new standards of openness and transparency for the 大象传媒 ...

The information measures the quality, distinctiveness, and reach of all the 大象传媒's services from January to March. It tells us, for example, that 大象传媒 Online and 大象传媒 Mobile (scoring Appreciation Indices of 81.4 and 81.0) were as appreciated as 大象传媒 TV and Radio (AIs of 82 and 80).

You can read James Holden's post, "Measuring quality and reach at the 大象传媒", comment, and at the About the 大象传媒 blog.

Ian McDonald is the Content Producer for the 大象传媒 Internet Blog

大象传媒 HD TV: Winding Down from Wimbledon

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Andy Quested Andy Quested | 10:30 UK time, Wednesday, 6 July 2011

Wimbledon was the 大象传媒's first ever 3D TV transmission. Andy Quested writes about the technical details of 大象传媒 HD encoders going back to 2D mode.

This morning after a very successful 3D trial the 大象传媒 HD Channel encoders reverted back to their 鈥2D鈥 mode.听 As a last word on the Wimbledon 3D trials, I am trying to get a series of blogs together from everyone involved, so hopefully more over the coming weeks.

From your comments I know the topic of 1920听transmission is something some of you feel very strongly about. So I thought this would be a good opportunity to do a post about it.听 The whole topic is not straightforward or we would have been 1920 from the start of the HD Channel.听 Although technology has matured the debate still moves between the science, the technology to produce it, the ability to deliver it and the impact when you see it at home.

As trevorjharris pointed out in the Gearing up to Deliver Wimbledon 3D blog post, the 大象传媒鈥檚 HD strategy states we fully support the 1920 x 1080 standard for programme making.听 This position has not changed but even though all programmes are delivered this way, not that many are yet made 1920.

In the 大象传媒 HD Channel promo for example there are only two programmes acquired and post produced in 1920 and during the time the encoders were set to 1920, the majority of programmes shown were not made in 1920.
One thing to remember is, two of the current primary production formats are not 1920.听 Sony鈥檚 is a 1440 3:1:1 format at around 140Mbs and DVCPro100 () well 鈥 that鈥檚 slightly more difficult to define.听 It depends on the camera and whether it鈥檚 being used as a tape or a file codec.听听 As a tape codec it is often used in the Panasonic Varicam where it鈥檚 used to record 1280 x 720.

The Varicam is one of the very few 720 cameras we allow 鈥 its 鈥淐V鈥 goes back as far as Planet Earth and Galapagos and it鈥檚 still being used for stunning Natural History programmes.听 This was one the points I made during the picture quality debates last year.

During the trial we did take the opportunity to look closely at some of the differences on each platform and how some devices handled the change.听 I will report back on the findings as we get more information.听
We鈥檙e also looking at the impact of the different scaling technologies used.听听 Good scaling is vitally important, especially when it鈥檚 used during programme making.听

If we don鈥檛 do it well it can cause aliasing 鈥 this was something we had to guard against when we made the Side-by-Side image for 3D.听 Similarly up-scaling from 1440 to 1920 in domestic equipment, can also soften the images or a add edge ringing (or both!).听 The degree of softening or ringing depends upon the interpolating filters which perform the up-scaling.

We are working on other improvements to the programme and transmission chain including more use of 1920 and hope to have news later in the year.

I will keep you up to date on the work as often as possible.

Andy Quested is the Head of Technology, 大象传媒 HD & 3D. He previously wrote to explain 3D TV and the 大象传媒's Wimbledon 3D TV trial

What's On 大象传媒 Red Button 4th - 18th July

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Lisa Dawson Lisa Dawson | 13:00 UK time, Tuesday, 5 July 2011

大象传媒 Red Button Blog

T in The Park

T in the Park takes place over the weekend of 8-10th July 2011 in the iconic setting of Balado, Kinross-shire. 大象传媒 coverage extends as always across TV, Radio, Online and Red Button.

The UK's liveliest festival crowd always makes T a spectacle to remember, and performances from Foo Fighters, Pulp, Arctic Monkeys, The Strokes, Beyonc茅, My Chemical Romance, Coldplay, Deadmau5 and Leftfield are sure to make 2011 a vintage year. Primal Scream's 20th anniversary homecoming performance of Screamadelica should set the party alight on Saturday.

Red Button viewers will be treated to coverage across the weekend with performances from the Main, Radio 1, King Tut's and Introducing stages. Press red from any 大象传媒 channel on Friday at 7pm, Saturday from 11am and Sunday from 4pm (check variations on Freeview) for extended performance sets.

Also on Red Button, the very best from T in the Park in the form of daily highlights from Monday 11th July. Press red for fresh highlights each day; check Red Button and bbc.co.uk/tinthepark for the schedule.

Viewers can keep up to date with all the weekend's festivities on: 大象传媒 Three, 大象传媒 HD & 大象传媒 Scotland on TV, Radio 1 & Radio Scotland, on 大象传媒 Red Button and live on the T in the Park website at bbc.co.uk/tinthepark.

Sky/ Freesat/ Virgin Media:
Fri 8th July, 7:00pm-2:00am
Sat 9th July, 11:00am-2:00am
Sun 10th July, 4:00pm-2:00am
Mon 11th July, 2:30am-6:00am
Mon 11th July, 6:00am-6:00am
Tue 12th July, 6:00am-6:00am
Wed 13th July, 6:00am-6:00am
Thu 14th July, 6:00am-6:00am
Fri 15th July, 6:00am-8:30am & 11:05pm-2:05am

Freeview:
Fri 8th July, 7:00pm-2:00am
Sat 9th July, 2:40pm-8:00pm & 9:10pm-2:00am
Sun 10th July, 5:40pm-2:00am

Mon 11th July, 2:30am-6:50pm
Mon 11th July, 11:00pm-7:50pm (Tue 12th July)
Tue 12th July, 11:00pm-6:00am- 4:35pm (Wed 13th July)
Thu 14th July, 12:10am-8:50am
Fri 15th July, 12:10am-8:30am & 11:05pm-2:05am

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