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Archives for November 2009

Panorama's Life After Woolies scoops RTS North West Award

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Derren Lawford | 17:27 UK time, Monday, 16 November 2009

Hot on the heels of last week's Scottish Bafta win for Britain's Homecare Scandal, Panorama has picked up another gong.

Life After Woolies won the North West for Best Current Affairs Programme. It followed former Woolies staff looking for work after the closure of the company's 807 outlets.

While making the film, the production team also came across Paul Seaton who had collected a vast array of Woolies memorabilia and had launched an online community for ex-Woolies staff too. We made a short film about him below:


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Jack Straw orders review of police cautions after Panorama's Assault on Justice

Cautions for serious offences including burglary and rape may be a thing of the past thanks to a Panorama expose. Monday's programme, Assault on Justice, found half of criminal cases were dealt with using cautions in 2008, including almost 40,000 cases of assault.

On the day of the programme, into the use of cautions and their different regional use by police forces in England and Wales. "I understand the concerns that have been raised," he said and the later that day.

It's a good result for a programme that has had such a who contacted us directly after the programme and discussed it in the blogosphere.

supports Jack Straw's review, albeit somewhat tongue-in-cheek saying: "I seem to remember that a few people pointed out that maybe criminals should go to court when they commit crimes, and that they might not pay their fines or listen to warnings, and that the victims might not feel justice had been done."

However, he also suggests there could be reasons behind the statistics. "The most common use of the caution is when the victim has made a complaint and then refuses to follow it through by attending court or providing a written statement."

But the problem in using cautions as a form of 'instant justice' stands for . "You essentially place the police and prosecutors in the position of judge, jury and executioner," he writes. "This form of justice is not done in public and is open to abuse, it ignores the essential separation of powers within the justice system to ensure that both victims and accused persons are treated fairly and respectfully."

But the overwhelming concern from viewers is saved for the victim, as expressed by Colette McAreavey who emailed the programme saying, "I have just watched your programme with a mixture of horror and disbelief. The penalties given were non-existent. A caution is a joke considering the severity of the assaults on all the victims featured in your piece. The police should not be judge and jury and the assaults you highlighted certainly merited, in my opinion, a custodial sentence. There was no justice for the victims, it was a total travesty. I have to say I felt very angry at how the victims were treated and congratulate you for bringing it not only to my attention but putting it in the public domain."

Jack Straw denies that cautions are being used to keep prison numbers down. His review into the use of cautions by the police should help ensure victims of serious crimes do get their day in court as all the people featured in the programme wanted.

Panorama homecare investigation wins Scottish Bafta

A Panorama special has won a prestigious .

Britain's Homecare Scandal, which was broadcast last April, won the Bafta in the News and Current Affairs category.

Using , the film highlighted the shocking quality of home care that some older people received, a situation branded as scandalous by the Government's Voice of Older People, .

You can still watch Britain's Homecare Scandal and read further information on the story here.

1989: The Year of Revolutions

Revolutionary fervour was spreading across Eastern Europe throughout as the Communist hold centred in Moscow continued to weaken.

In April 1989, ´óÏó´«Ã½ News Europe Editor Gavin Hewitt was reporting for Panorama from Prague, capital of the-then Czechoslovakia, and facing the possibility that he might witness a repeat of 1968's .

I spoke to him this week from Berlin and asked him about his experiences making that film.

"During our time filming in the-then Czechoslovakia in 1989, it seemed everyone we spoke to and everywhere we turned showed signs that the ruling Communist Party was on its last legs. It was an exhausted regime, recognising the need for reform but paralysed by the fear of losing control. The old certainties were fading away.

I think the moment we knew the end was near was during filming at a rally held by the old-guard party faithful. We had heard rumour that students and activists, eager for reform and a chance to taste 'civil society' as they called the West, were planning something. Signs of dissent against the system were unheard of - to do so on a large scale at a public rally was nothing short of revolutionary.

Sure enough, as the speakers began from the podium, cries of 'freedom' from the reformers began in the crowd. A sense of excitement and panic grew. The party's military guard moved to quell the dissenters and tear-gas was fired.

The military guards' attention turned to the Panorama film crew, thinking we were agitators, but the activists in the crowd moved to get us into a car and spirit us away. As we drove away I was left stunned by the boldness of the students and their courage in facing down the soldiers in helping us escape.

The demonstrations were to last for several more days before the crackdown came. The authorities made over 800 arrests.

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Even so, the stomach for the fight had gone. The party no longer seemed to have the energy required to hold the regime in place. During our time filming in Prague we were followed by a minder. Usually a large part of their role was simply to spy on our activities and report it to the party. The minder seemed distracted and disinterested. Further evidence that the ties that held the system in place were steadily unravelling.

The cries of reform we heard on that first demonstration night highlighted the generational gap that was driving the move for change. For the first time since the end of the Second World War, the Czech youth had become aware of the freedom offered in the West and through a burgeoning media had become aware of the weakening of the influence of Moscow through Eastern Europe. They saw their chance.

Those driving the change had too much energy for those clinging to the orthodoxies of the past. Revolution was inevitable - not necessarily during those nights - but soon. The events of the of November 1989 were to prove them right."


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