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Archives for March 2010

How to Win an Election: The Panorama Guide

You don't need to tell you there is an election on the horizon in Britain.

But what we can tell you is there is not much new in the cut and thrust of the political game, especially if - like Panorama - you have been watching elections play out for more than . But what clearly changed is how we engage with our politicians in this new media world.

Looking back through the archive, How to Win an Election: The Panorama Guide, throws light on the way elections play out in today's 24-hour world. But the journey starts back when radio rules the waves.

It wasn't until the swinging 60s that television bothered with elections, or politicians bothered with television.

It was US President John F Kennedy's success across the pond that inspired Harold Wilson to embrace the medium, becoming Britain's first politician to try and deliver the TV X-Factor.

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The Americanisation of Britain's political stage was then, and still is today, a concern. With this year making their debut on our TV screens, the parallel with US campaigns is ever more clear. Harold Wilson's affinity for the camera drew much the same reaction in his day.

But it wasn't all good news for politicians who took a natural shine to the camera. was to prove himself a tough interrogator, bringing his lawyer's style of questioning to the Panorama studio. The age of deference was over and the steely gaze of the lens did not lend itself kindly to all who went before it.

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And it wasn't only those in front of the lens who were swept up in the changing world of television. Arguably, democracy itself and the voting public were also changing. The last election in which public hustings were the chosen platform for communicating with the electorate was in 1966.

The television studio replaced the soapbox and the living room became the place where voters came face-to-face with their candidates, rather than the town hall or Trafalgar Square.

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Not everyone was happy with a world where image seemed to come before policy, a complaint resonating down the years to today's world of soundbites and 24-hour news.

Perhaps hinting at the fickleness of telly, Ted Heath made a surprise transformation from car-crash TV to television's golden boy.

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But it was Margaret Thatcher who finally broke the back of television and made it work for her.

The 1983 election saw Mrs Thatcher perform her way through the campaign with walkabouts and photo shoots. Once in power, she maintained an iron grip on her image.

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It was a lesson media-savvy Tony Blair took on board and onto new heights. In Blair's hands, television became a question of how he portrayed himself, not how he was portrayed.

Television was, at least in part, being transformed from the scrutinising eye turned on politicians to the play-thing of the political class.

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But now it's not just television. In elections to come, just how will our leaders navigate the world of Facebook, YouTube, Twitter and the digital media yet to come. That's one thing Panorama can't tell you, but we'll be watching.

How to Win an Election: The Panorama Guide is on ´óÏó´«Ã½ Four, Monday 29 March at 9pm.

Can't buy me love: Epstein, The Beatles and Panorama

Even though the UK music industry is enjoying the growth of digital download sales - - the continued collapse in CD sales (down 3.5% in the same period) and of course concerns over the rapid growth in the illegal download market has much of the industry worried. .

As Panorama reported this week, the UK music industry claims it is currently losing £200 million a year to unlawful filesharing and downloads and is a major supporter of the government's , currently passing through Parliament.

The bottom line is that the music industry is a very lucrative market. It certainly has been since the rock 'n' roll boom of the 1950s and the birth of the teenager with a few shillings in their pocket.

That market exploded in the early 1960s with the arrival of . In little over a year, the Fab Four became a worldwide phenomenon, spawning and a string of . Kids, ask your parents what a 'long-player' is. And for that matter a '45'.

Panorama caught up with the Beatles manager, , in spring 1964 to ask him about what it took to be a success in the music industry and of course his relationship with and management of John, Paul, George and Ringo.

You can watch an abridged version of the film here:


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It's a fascinating period piece in which a few of things stand out - firstly, how Panorama sees the pop business as particularly fickle - probably correct on that score - and hinting at its lack of longevity as an industry - the sustained success of the Beatles almost 50 years on disproving that theory.

Epstein's candid - without being explicit - answers to Michael Charlton's questions about his percentage cut of the Beatles' earnings tell of a more innocent time as do the insights from the Evening Standard journalist into the Beatles' deferential respect towards Epstein.

Just a shame Panorama couldn't negotiate access to film the Beatles themselves - but Epstein obviously knew the value of 'his boys'.

The music industry's current worry is that in the file-sharing, easily available, super broadband future it can remain a very lucrative market for the next 50 years, even if in the words of the Beatles .


South Africa: From sporting pariahs to World Cup hosts

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Eamonn Walsh | 13:37 UK time, Monday, 1 March 2010

Panorama reports from troubled South Africa this week as the rainbow nation for one of the greatest shows on earth to hit its shores - the .

Late last year, Panorama filmed with a team of skilful players in the shadow of the impressive Green Point Stadium in Cape Town. For these footballers the beautiful game didn't offer riches or international acclaim, but perhaps something more important - a shot at redemption.

For this was a team with a difference - made up of and drug addicts from some of Cape Town's most notorious townships.

South Africa may now be well into its second decade as a but the country is still struggling with many deep-rooted problems, like unemployment, poverty, crime and drug addiction.

One area where the country has been able to shine is through sport.

However, the country found itself isolated from international competition in 1971 following a sustained opposition campaign to its .

Quite simply, it became too politically charged to engage South African teams in international sport and the country began over 20 years in the sporting wilderness.

Panorama reported on some of the problems this created for the sporting authorities inside South Africa in 1971 amid their desire to re-open international competition.


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Unfortunately, the political authorities at that time were about to enter into a period of hardline repression of the black rights movement and racial freedom in sport became just one of its many casualties.

The was one of the first high-profile casualties as the international community's condemnation of apartheid resulted in an unofficial, but widespread boycott.

Panorama reported in 1970 before the tour was postponed and again it was evident that many of those involved in South African sport had no problem in playing multi-racial sport.


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It's difficult to say why those involved in sports in South Africa at that time - especially those from the ruling white minority - were relatively liberal.

While some theorise that it was rooted in the threat of a sporting boycott by the international community, the more optimistic view is that it was borne of the epitome of the sporting ideal - the notion of fair play.

If so, those sport men and women of the 1970s who spoke out did so a good 20 years before the ideal of fair play spread to the nation's political leadership.

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