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Archives for February 2010

Your pictures of the week: Exercise

Phil Coomes | 09:43 UK time, Thursday, 25 February 2010

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Here's our weekly look at your pictures and this time we asked you for photographs on the theme of exercise.

We received another strong selection of pictures this week with lots of interpretations of the theme. So once again I offer my thanks to all of you who submitted work. You .

I hope you enjoy looking at the pictures and if you have any comments to make, you can do so below.

If your picture didn't make this week's selection, why not send us something for next week?

The new theme is "dreaming". Interpret this in any way you see fit and send your pictures to us at yourpics@bbc.co.uk or .

Please include the word "dreaming" in the subject line of your message.

The deadline is midnight GMT Tuesday 2 March 2010, and remember to add your name and a caption: who, what, where and when should be enough, though the more details you give, the better your chance of being selected.

We will publish a selection of your photos this time next week.

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Files should be sent as JPEGs. They shouldn't be larger than 10Mb and ideally much smaller: around 1Mb is fine, or you can resize your pictures to 1,000 pixels across.

Please see our terms and conditions, but remember that the copyright remains with you. The pictures will only be used by the ´óÏó´«Ã½ for the purposes of this project. Finally, when taking photos, please do not endanger yourself or others, take unnecessary risks or infringe any laws.

Your pictures of the week: Water

Phil Coomes | 10:01 UK time, Thursday, 18 February 2010

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It's time for our weekly look at your pictures and this time we asked you for photographs on the theme of water.

We had some wonderful pictures this week, from the street to the studio. So once again I offer my thanks to all of you who submitted work. You .

I hope you enjoy looking at the pictures and if you have any comments to make, you can do so below.

If your picture didn't make this week's selection, why not send us something for next week?

The new theme is "exercise". Interpret this in any way you see fit and send your pictures to us at yourpics@bbc.co.uk or .

Please include the word "exercise" in the subject line of your message.

The deadline is midnight GMT Tuesday 23 February 2010, and remember to add your name and a caption: who, what, where and when should be enough, though the more details you give, the better your chance of being selected.

We will publish a selection of your photos this time next week.

.

Files should be sent as JPEGs. They shouldn't be larger than 10Mb and ideally much smaller: around 1Mb is fine, or you can resize your pictures to 1,000 pixels across.

Please see our terms and conditions, but remember that the copyright remains with you. The pictures will only be used by the ´óÏó´«Ã½ for the purposes of this project. Finally, when taking photos, please do not endanger yourself or others, take unnecessary risks or infringe any laws.

Malta seascapes: From the web to print

Phil Coomes | 10:05 UK time, Tuesday, 16 February 2010

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Photo by Joseph Caruana

As I've said before the internet has proved to be a great place for photography. It has allowed photographers to meet, exchange views and ideas as well as allowing instant access to pictures from the other side of the world.

Whether you are a professional or keen amateur photographer you can now share your work with others and engage with those who have a passion for the same subjects or styles of photography. Digital photography has opened up many new avenues of contact and expression.

However, there is nothing quite like seeing your own work in print. To hold in your hand a single picture, or indeed a book of pictures remains very satisfying.

One group that has gone from the virtual to the real is a collection of photographers in Malta who met on .

Photo by Gege Gatt

The group was setup by Therese Debono and Will Camilleri in October 2008 and since its launch has more than 350 members. One of those is Timmy Gambin who told me that:

"[T]he group was started to bring together a few Maltese photographers via the web as well as through a series of meetings. The latter vary from urban walks, ventures to the coast as well as organized model shoots with strobe set ups and so on. By doing this the group caters for as many photographic styles as possible."

The group has just published its first book, Malta Seascapes, which includes the work of more than 30 photographers and focuses on the coastline of Malta. The launch was accompanied by an exhibition which was hosted at the Malta Maritime Museum.

Each photographer has a number of pictures included in the book, each showing off their particular style, from dramatic colour landscapes to thunderous black and white rolling clouds.

Photo by Timmy Gambin

But why create a book? Surely the web is the publication medium of the 21st Century?

Timmy said:

"When one posts a photo on Flickr there is a flurry of activity with numerous visits in the first few days following the upload. Subsequent hits depend mainly on its tags and the title of the photo.

"No matter how good the photo is, it eventually gets lost in the bowels of the Flickr website to be seen and possibly enjoyed by just a handful of people in time.

"So the two main reasons for the book are firstly to give a more traditional home to some of the photographs from the group and secondly to give an opportunity to amateur photographers to publish their work.

"We announced the project via the group (online) asking members to tag their photographs with a specific tag. Once the submission date passed, three editors plus the publisher started the selection process which eventually resulted in the photos published.

"This is the first of four and the last will be published with a box that will house all the volumes. The title for the second volume has been announced: Malta: Urban Details, and this should be published this coming summer with the third at Christmas time.

"We are all amateurs with varied backgrounds: teachers, IT personnel, lawyers, an archaeologist, students, but we believe that the result is professional and are discreetly proud of that."

Here are just a few of the pictures that appear in the book.

Photo by Armand Sciberras

Photo by Aron Mifsud Bonnici

Photo by Edwin Catania

Photo by Andrew Galea Debono

Photo by Kristian Damato

Photo by Nic Mifsud

I'm sure there are many more photographic groups out there that would simply not exist were it not for the internet and its ability to span distances, though in this case it has brought a group together from one location and allowed them to work together and produce a delightful series of pictures.

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The kiss

Phil Coomes | 16:37 UK time, Friday, 12 February 2010

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Paris at dusk, 2007

Some projects come together over many years; occasionally the photographer is not even aware that a project or series of pictures exists at all. But as time passes, they may look back through their work and find a common thread.

One series that has been shot over the past quarter of a century is The Kiss by Brian Harris.

Brian was a staff photographer at The Times and then chief photographer of The Independent newspaper when it launched in 1986.

Brian told me that:

"While travelling the world as a news photographer covering insurrections and politics, it was a blessed relief sometimes to just go off for a long walk with one camera and one lens looking for pure images that were gentle and kind."

May Ball, Cambridge

And so the series was born. I asked Brian to outline his thoughts behind the collection:

"I started looking, waiting, to photograph couples kissing following the likes of Robert Doisneau and his iconic photograph taken near the Hotel de Ville in Paris.
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"I enjoyed the experience of trying to capture in one or maybe two frames that moment of pure joy as a couple embraced, kissed and were oblivious to all around, including me.
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"It was a way of training my eye and brain and camera to all work in harmony. I think my first really nice kiss image was made in Paris, where else? It was of a young couple sitting on a bench in the Jardin des Tuileries. They would be middle-aged now and I wonder if they are still together.

Naples, 2001

"The series now contains photographs from Italy and Malta, from Berlin and London and more recently from my home patch of Cambridge where I now live.
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"I've never asked permission, it was always one-two frames taken on the wing and then I moved on. So far, no-one has ever objected and no-one has punched me on the nose - but with the awareness of photographers working on the streets by the police and the public, I suppose it is only a matter of time before someone calls foul.
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"Enjoy these images for what they are at this Valentine's period: all you need is love, love, love..."

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Southend-on-Sea

Your pictures of the week: Two legs

Phil Coomes | 11:21 UK time, Thursday, 11 February 2010

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Once again we asked you to send us your pictures on a theme, and following last weeks visual exploration of four legs, this week we asked for shots on the theme of two legs.

We had a good range of pictures this week and so thank you to all of you who submitted work. You .

I hope you enjoy looking at the pictures and if you have any comments to make, you can do so below.

If your picture didn't make this week's selection, why not send us something for next week?

The new theme is "water". Interpret this in any way you see fit and send your pictures to us at yourpics@bbc.co.uk or .

Please include the word "water" in the subject line of your message.

The deadline is midnight GMT Tuesday 16 February 2010, and remember to add your name and a caption: who, what, where and when should be enough, though the more details you give, the better your chance of being selected.

We will publish a selection of your photos this time next week.

.

Files should be sent as JPEGs. They shouldn't be larger than 10Mb and ideally much smaller: around 1Mb is fine, or you can resize your pictures to 1,000 pixels across.

Please see our terms and conditions, but remember that the copyright remains with you. The pictures will only be used by the ´óÏó´«Ã½ for the purposes of this project. Finally, when taking photos, please do not endanger yourself or others, take unnecessary risks or infringe any laws.

Picturing disaster

Phil Coomes | 14:43 UK time, Wednesday, 10 February 2010

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Mathew McDermott's photograph of Kiki being lifted from the rubble

One month ago on 12 January a devastating earthquake struck Haiti leaving more than 150,000 people dead and 1.5 million homeless. As with all large-scale news stories there was an initial rush for pictures as the wire services and television news crews arrived on the scene and filed their first stories or pictures.
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During the first days following the quake thousands of photos ran on the picture wire services showing the chaos on the streets of the capital Port-au-Prince. As you can imagine, a large number of these photographs contained graphic content, pictures that are hard to look at, yet they show a truth of sorts, providing an insight into the scale and horror of the event and the lives of those affected.

Working on the web means we have to be very careful when we select which pictures to use as the site is accessible to all ages and so any graphic pictures should be clearly signposted. This is why picture galleries containing images of that type will carry a warning message or strap across the first photo. Readers can then decide whether to continue or not.

Yes we have a responsibility to our readers to tell the story and that can mean using pictures that some readers might find upsetting, but it must be justified at all times.

How much is it right to show? How do you portray the situation as truthfully as possible and yet maintain the dignity of those pictured? Different publications have varying levels of what they deem acceptable, as indeed each reader will also have their own levels of acceptability.

The photographers who are on the ground are there to bear witness to the events, to create pictures that convey the story as they see it, and sometimes that means creating pictures that will shock us, make us cry or indeed offend. So be it.

Yes all news reporting could be labelled as an act of intrusion to some extent, yet there is a need to inform the world as to the events and in this case to hopefully drive aid, though it's also true to say there are times to put down the camera and help, and indeed times to stay at home.

There is an argument that says the pictures are no more than clichés, where one disaster becomes indistinguishable from the next, but a photograph can only do so much; it is after all just reflected light and when used in the right context the essentially mute images can have a voice.

It is true that the scale of destruction can be shown with pictures of the collapsed buildings and satellite imagery, but it is always the human element that gives a picture its power.

Who can forget the photograph by Mathew McDermott of Kiki being lifted from the rubble after nearly eight days (above). I'd argue that a photograph like this can do far more than any number of pictures of the dead ever will.

Your pictures of the week: Four legs

Phil Coomes | 09:00 UK time, Thursday, 4 February 2010

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This week, we asked you to send us your pictures on the theme of four legs.

We had plenty of strong entries and so thank you to all of you who submitted work. You .

I hope you enjoy looking at the pictures and if you have any comments to make, you can do so below.

If your picture didn't make this week's selection, why not send us something for next week?

The new theme is "Two legs". Interpret this in any way you see fit and send your pictures to us at yourpics@bbc.co.uk or .

Please include the word "Two legs" in the subject line of your message.

The deadline is midnight GMT Tuesday 9 February 2010, and remember to add your name and a caption: who, what, where and when should be enough, though the more details you give, the better your chance of being selected.

We will publish a selection of your photos this time next week.

.

Files should be sent as JPEGs. They shouldn't be larger than 10Mb and ideally much smaller: around 1Mb is fine, or you can resize your pictures to 1,000 pixels across.

Please see our terms and conditions, but remember that the copyright remains with you. The pictures will only be used by the ´óÏó´«Ã½ for the purposes of this project. Finally, when taking photos, please do not endanger yourself or others, take unnecessary risks or infringe any laws.

Shooting bands during soundcheck

Phil Coomes | 09:47 UK time, Wednesday, 3 February 2010

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Hugo White

Shooting bands can be tough. Three songs and you're out, or so it usually goes. That's what most photographers get at a gig, three songs in the pit in front of the stage then it's time to leave.

Finding a new angle can be tough, but Stephen Dowling has been doing just that and for a number of years he has been shooting pictures of bands during their soundcheck prior to a show. He shoots on black and white film using available light and that also gives his pictures a different feel.

Stephen is a music journalist, indeed he used to be a colleague at the ´óÏó´«Ã½, but his self set project has been slowly gathering pace and I thought it was time to take a look. .

I'm a big fan of available light photography and some of his shots capture the mood, the quiet moments and professionalism of the musicians ensuring the sound is just right.

I put a few questions to him and you can read his answers below.

How long have you been shooting?

"I learned the basics as a journalist on a weekly paper in New Zealand back in the early 1990s, but I never went beyond the basics - camera set to automatic and hoping for the best. My mum was an art history teacher though, and I think there was always a latent interest.
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"Later on in my 20s I started looking at photography more. I started shooting more and more, reading photo books and magazines. Eventually I put my autofocus Canon in a drawer and bought myself an old East German with a standard lens, to teach myself from the very basics up."
Why are you using film, what's wrong with digital?
"Film has a totally different feel which I think suits a projects like this. Black and white film has a depth that its digital counterpart cannot yet match - the blacks are so much darker and the contrast in the highlights more attractive.
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"With such low light I am shooting at 6400 - the developed shots have a grain which adds to the mood, whereas the noise produced by digital images wouldn't be as appealing. Also, with no ability to view my pictures while I am in the venues, I am just shooting, and I think less likely to miss opportunities. I'm not constantly looking at what I have just taken, editing."

You must have spent some time in the pit with the other photographers, any stories to share?

"I'm not usually hanging around in the pit come show time, but when I was shooting the Manic Street Preachers I decided to shoot a roll during the show. I fully expected to be the only person using a film camera, but when I turned round I saw - the photographer who shot the image of - snapping away. She was using the same battered old Pentax she'd used to shoot the Clash. Amid all these huge zooms and expensive digital bodies, it was inspiring to see her shooting like she always had."

What's your goal, when will the project be completed?

"I've set myself a preliminary limit of 25 bands - some bands I have shot a few times - before I approach a gallery. I'd like to distil it to one image of each band or artists, and try to let the pictures flow together.
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"These photos are of performers, but they are not performing. The body language is totally different, they are not acknowledging the crowd because the venues are empty. I think it's a kind of music photography that isn't often seen and I hope an exhibition of my best shots shows something most music fans don't get to see very often. And I hope to be doing it for a very long time."

How do you approach the bands?

"I'm a music journalist so have good contacts with press agents, managers and bands themselves. Some of the bands - like Lambchop, Calexico, or Neil Finn - are people I know and who've been really encouraging throughout.

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"Others, such as British Sea Power or the Maccabees or Bon Iver I don't know, but their management or press people were kind enough to allow me to shoot. I've made a lot of friends along the way, and travelled to some interesting places with great people. And the soundtrack hasn't been bad either."


If you'd like to see more of Stephen's work you can do so via .

Your infrared pictures

Phil Coomes | 11:45 UK time, Tuesday, 2 February 2010

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Greenwich by Mike Curry

As mentioned in last week's post it's the 100th anniversary of the first published infrared photograph and to mark that I asked you to send in your infrared pictures and so here's a selection of them.

The photograph at the top of this page is by Mike Curry who has had some success in photographic competitions with his infrared photography. The picture struck me as an excellent example of the genre. At first glance it looks like snow has fallen on the Greenwich landscape; it's this double-take and strong composition that make it a fascinating photo. You can see more of .

The photograph below was taken by Dr Dean Waters who said: "This was taken on the now discontinued Kodak High Speed Infrared film through a Wratten 89b filter of my local church in Hemingbrough, North Yorkshire."

Church in Hemingbrough

Marcia Petterson initially started working with digital but then moved on to infrared film creating pictures that were then lith-printed and toned.

Photo by Marcia Petterson

Jim Kramer is an amateur photographer from Cincinnati, Ohio, who shoots with a digital camera that has been converted to record the near-infrared spectrum. His colour images are striking, everything is not as the eye would expect. You can see a range of .

Spring Grove Cemetery in Cincinnati, Ohio

Paul Richards tells me he has only been shooting infrared for a short while but is finding it addictive. You can see a range of his .

Photo by Paul Richards

Robert DeCandido sent in this picture of an Egret in Central park, New York.

Central park, New York

David S Hendry took this picture of Rouken Glen with a Sony Alpha 100 camera fitted with a Hoya R72 filter.

Rouken Glen

Xon Fedaa shoots colour infrared in .

Photo by Xon_Fedaa

Ade Cocker used a Canon 450D with an infrared filter attached to capture this pictures of Mill End Lock in Buckinghamshire.

Mill End Lock in Buckinghamshire

Don't forget that the is planning a two-day symposium on Infrared photography in London in October 2010.

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