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Celebrations for Pierre Boulez’s 90th-birthday year reach a climax in this matinee performance, in which contemporary music specialists the London Sinfonietta pair Boulez’s own music with that of young British composers Helen Grime and Christian Mason. Pierre Boulez’s ²Ñé³¾´Ç°ù¾±²¹±ô±ð puts the flute in the spotlight, showcasing minutiae of texture and articulation, while in Domaines it’s a solo clarinet that gives out a sustained soliloquy. The two contrasting parts of ɳ¦±ô²¹³Ù/²Ñ³Ü±ô³Ù¾±±è±ô±ð²õ (1970) are theoretically part of a larger work, as yet unfinished by the composer. They make for a striking contrast: the brilliant, glittering colours of Éclat set against the nervy perpetual motion of Multiples.

There will be no interval