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Ethel Smyth wasn’t especially religious: the text and images of the Catholic Mass simply thrilled her. ‘What words! What words!’ she exclaimed, and her monumental Mass in D major is one of the crowning glories of the British choral tradition. Following their widely admired 2019 recording (‘fiercely committed, highly persuasive’ – ´óÏó´«Ã½ Music Magazine) Sakari Oramo and the ´óÏó´«Ã½ Symphony Orchestra give the first Proms performance since the composer’s own lifetime, with rising operatic star Nardus Williams heading an impressive quartet of soloists. Debussy’s Nocturnes begin the evening in a very different, but no less beautiful world – blurring the edges of sound itself to create music that seems to glow in the dark.

Image: Nardus Williams © Bertie Watson