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Thursday 3rd July 2003
Copacabana @ The Empire
Copacabana is an exotic tale of love and romance
Copacabana

Liverpool Empire

Tues 1st - Sat 12th July

Review: Emma Hardy
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It's a musical, and if you like musicals then you'll love it. If musicals aren't your thing you'll wonder how such a flimsy plot can be strung out to two and a quarter hours (and then you'll realise how it's through the use of repetitive songs and fancy dancing).

OK, so I'm no fan of the musical, but I can see the appeal; the costumes, the dancing, the singing along, the spectacle of it all. Copacabana has all of the essential elements, but it isn't one of the most striking of the genre.

Manilow admits it was a case of expanding a three minute long 'novelty song 聟 into a two act stage musical'. He did it, but Copacabana wavers on being bland and the drama doesn't start soon enough.

The songs aren't as memorable as those in other musicals and the dancing was out of time occasionally, but audiences for this production at the Empire will be leaving with smiles on their faces. It's the old adage: end on a sing-a-long and you're guaranteed the audience will go home happy.

Capturing the feel of Broadway in the 1940's is the intention, but the first act starts slowly, and it isn't until an hour into the show that the drama really gets going. The second act is much more dramatic and if you find yourself in a particularly lively audience there may be some booing and hissing and cheering of the characters.

The frequent appearance of a translucent stage curtain, reminds the audience that it isn't just Copacobana, but 'Barry Manilow's Copacobana' and sadly brings the story into the modern day, with a reminder of performance rights and copyright laws. Considering that the audience knows he wrote it, it seems pointless and undermines the fact that we are supposed to believe in the story created on stage by one of the characters, not Manilow.

There aren't any big names or well know faces in the lead roles, but the show is selling well. And it all bears very little resemblance that that novelty song. Lola does not yet drink herself half blind, and Tony is very much a part of her life, but like they say in the script for Copacobana, no-one would want to go and see that.

Well, no-one who likes happy, family friendly musicals, anyway.

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