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FeaturesYou are in: London > Entertainment > Visual Arts > Features > Tutankhamun Revealed The show features over 130 artefacts Tutankhamun RevealedWe talk to the exhibition designer of the new King Tut experience at the O2 Bubble, and ask how it compares with the boy King's London blockbuster back in 1972. Plus, read what YOU'VE been telling us about the show below... "The days of white walls and tiny text panels are obviously numbered because we want a little more..." Mark Sachs of Arts and Exhibitions International (AEI), the person responsible for all the design elements of Tutankhamun and the Golden Age of the Pharaohs, is in full flow.
Last time around, when the boy King came to call in 1972, some 50 objects from Tutankhamun's tomb were put on display and were enough to enthrall over one million visitors. Today, there's what Mr Sachs calls "a bit of theatre" and "a more human relationship to ancient Egypt." All of which explains the emphasis on music, dramatic lighting and a variety of multimedia elements aimed at creating a truly sensory experience for visitors. "The wonderful part about this show is it has storyline, it has context," says Mr Sachs, "You meet Tutankhamun's family, understand the world of ancient Egypt, so that you can better understand the human being." cultural hubThe show arrives here on the heels of a four city US tour where it attracted more than four million visitors.听 Projections are similarly sky-high in London, with 400,000 tickets already sold and over one million people expected through the barriers long before the exhibition ends in August 2008. Dramatic lighting adds to the effect And the location? No, not central London but south of the river. Tutankhamun and the Golden Age of the Pharaohs is the first exhibition in the O2 Bubble, a 65,000 metre space which is set to become a dedicated cultural hub inside the Greenwich entertainment complex. Here, a family ticket based on two adults and two children costs 拢40, rising at weekends to 拢53. To cope with demand, bookings are governed by available time slots, spaced throughout the day at half-hourly intervals. And a calendar view on the exhibition's website shows which days have already sold out and those which haven't, using a simple Find Tickets/ currently not on sale formula. So how effective is it in use? drop down menuWe selected a family ticket for the first Sunday in December, picking our preferred entry time of 10.00am from the drop down menu. No luck, it's gone already. Instead, we were asked if we'd like to turn up between 19.00 and 20.30, a possibility only if we reverse our plans and eat beforehand. Some of the relics pre-date the boy King Remembering that the children in our party are on school holidays from the middle of December, we opted next for the first Monday after that, the 17th, and picked the earliest entry time of 09.30am. Bingo, we're in luck. We get the slot and now have two minutes on the site to confirm and add our billing details and preferred method of postage for the tickets. Alarmingly though, that family ticket of 拢40 has escalated after various charges to close to 拢46 - and we haven't factored in travel costs, parking, refreshments, and the gift shop! Caveat emptor in other words - buyer beware. Let's hope the show lives up to our expectations. RELATED LINKS: The 大象传媒 is not responsible for the content of external websites Help playing audio/video last updated: 19/11/2008 at 17:54 Have Your SayAgree or disagree? Write your own review of Tutankhamun and the Golden Age of the Pharoahs by using the space below...
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