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Taneth Russell
Taneth grew up in Belfast, left to do a degree in modern languages at Bath and then survived several years working in the City of London. She started writing a year ago after moving to York with her husband and two children; Anna, 5 and Paddy, 3. Taneth squeezes her writing into those quiet gaps when the kids are out and is about to become a 'cyberstudent' at Manchester Metropolitan University's virtual writing school.
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Behind My Eyes
by Taneth Russell |
to the story online read by Gordon Fulton |
Sometimes, just before I fall asleep, a light flashes
behind my eyes. It’s as though I’ve been sitting
in the dark and just as my eyes are growing used to the
blackness, someone opens the door and lets light in –
bright, blinding light – but it’s only there
for a second; not long enough for me to see what else is
in the room. And then the door is slammed shut, the room
returns to darkness and my eyes have to start to adjust
all over again.
When I was a wee lad I used to watch my Da mixing cement.
He’d make a pile of orange sand and grey powder and
turn it over and over with the water until he got the mixture
right. He’d take off his shirt when the weather was
warm and I’d see the muscles twitch at the base of
his spine as he raised and lowered his spade. He was a small
man, my Da, with long, strong arms. I’d sit beside
him and look at the thatch of hair in his armpits and think
to myself, ‘aye – that’s man’s work
alright. That’s what I’ll do when I’m
a man’. And I was right.
I live…live? I live in a small town. The name suggests
its nearness to the lough. We used to go there, Paula and
I. I liked it best on autumn mornings when the mist rolled
over the water like something out of another time. She preferred
it in spring when the sunlight was strong enough to throw
a shaft of silver light through the clouds. She’d
lie on her back looking up at the sky and say that when
she was a little girl she used to believe that the sun shining
that way revealed the path to heaven. She used to believe
she was the only one who could see it.
We’d watch the lapwings perform their unhurried tumbling
act back and forth between the shores of the lough. She
told me how in Holland people used to fight each other for
the first lapwing egg of the season, because to find it
meant they could bring it as a gift for their Queen. Paula
would watch the birds soar and dive and call to one another
with that ‘pee-wit, wit, wit-eeze’ and I could
tell by the way she looked at them that she wished she could
join them. Maybe she did?
Paula was a dancer. It wasn’t what she did –
it was who she was. She danced her way through life unselfconsciously,
like a child. She couldn’t see any reason not to.
She wanted me to dance with her, but dancing wasn’t
for me. Whenever I tried, and – ah God, I did try
– my feet felt like they were cased in the cement
I mixed. Her feet were never entirely connected to the ground,
as though she might just disappear at any moment, carried
off like a dandelion seed on the breeze – I saw it,
but I didn’t know it.
I build houses. I built Paula’s house and then she
asked me to share it with her. It never felt like my house,
even though I had made it. But I didn’t mind –
it was enough that it was hers. It was enough that I had
built it for her and that when she was inside those four
walls, she couldn’t fly away.
It’s hard to tell you our story. It’s not one
of those tales of regret about things said or unsaid. We
didn’t part on a note of anger. No – it wasn’t
like that for us. It wasn’t like that at all.
That last morning we woke early, earlier than usual, and
made love in the way we always did. We drank coffee out
on the porch and watched the shadows the clouds made as
they passed over the green hills. It was a Saturday and
Saturday was market-day.
She wanted to get some fish, she said. She wanted to buy
a whole salmon, or a lobster. She’d cook me a special
dinner. She promised bouillabaisse or koulibiac. She was
a terrible cook, but I couldn’t fault her enthusiasm
and I always managed to eat every last scrap.
We drove into town together and she talked about the time
she visited Mount Etna. She told me how she’d taken
off all her clothes and raced around the gaping mouth of
the volcano like some kind of naked nymph. She said that
a hornet had appeared out of nowhere and stung her on the
thigh – her skin had swelled and puckered, she said,
it looked like it had been burnt. She’d known then,
that she’d made the god of the volcano angry. I asked
her did it hurt. ‘Bloody hell, yes,’ she said
and she threw back her head and laughed, showing all her
small, white teeth – and I laughed too because her
laugh was infectious, even though I couldn’t see what
was so funny.
So we were laughing, both of us, when we went round that
corner and met the truck coming from the opposite direction.
She wasn’t wearing a seat belt. She hated to be tied
down. I’m glad I didn’t see her go through the
windscreen, because the face that I see now behind my eyes
isn’t that face.
The doctors say there’s nothing physically wrong.
They say the brain is a mysterious and complicated organ
and that there is still a lot they don’t understand
about it. They say I need to rest and take my time to come
to terms with my loss and that then my eyesight will return.
But I can’t think what there’ll be to look at.
Sometimes, just before I go to sleep, a light flashes behind
my eyes and for a second, just for a second, I think it’s
going to show me something that will help me understand.
I haven’t seen it yet.
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