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The RTS and BAFTA-winning, Am I Being Unreasonable? is back for a second series. Starring Daisy May Cooper, star and co-creator of This Country, and Lenny Rush who plays her son.

The series picks up directly from where the first series left off. Nic is still a lonely mother, grieving a loss she cannot tell anyone about. She feels trapped in her life and her depressing marriage, and the cat is missing.

Her young son Ollie is the only thing that keeps her going because he is her main source of happiness. When new mum Jen moves to town, she and Nic quickly develop a deep friendship that brings a lot of joy and laughter, but threatens to dredge up old secrets that Nic feels are better left in the past.

Naga: “Must Watch Scott?”

Scott: “This is a Must Watch. It’s essentially a comedy thriller. You're having a high-stakes storyline with a lot of jokes along the way.

“I think why I like it so much is that it is inherently unpredictable. Your expectation of what you think is going to happen next is constantly challenged throughout, particularly during the first series.

"I won't say anything that really happens in case you've not got there yet but by about episode four, you see the storyline that you have been shown from a different character's perspective and then it completely changes the course of the rest of the series and what you think the dynamic is between the two main characters will be.

“I think it's also the fact that it captures very well something that I can relate to. Growing up in a very quaint English village and the politics of that village and the feeling that nothing ever happens when actually stuff does. Of course, what they've done is they've set this really high stakes scenario in a really quaint village. In a weird way, that juxtaposition makes it very entertaining."

“Daisy May Cooper is fantastic in this. Lenny Rush, who plays her son, is also fantastic. He won a BAFTA for series one. I love it because this is a show, without revealing any spoilers, that clearly knows where it is going. It's got a clear direction. Yet it also feels as if they're making it up whilst it's going along. There's a lot of improvised scenes that give it a bit of spontaneity.

“I think it’s something that is daring, very different compared to a lot of comedy. I mean, this is on ´óÏó´«Ã½1 at 21:30 and it's unlike anything that I've seen for quite a long time. I just love the dynamic between the two characters.”

Naga: “Hayley?”

Hayley: “I agree with everything Scott said. What I love about this show is it's incredibly funny while also being deeply, deeply dark.”

Scott: “It's so dark!”

Hayley: “It's unexpectedly a thriller. There's nothing really like it, but it has the same depth of horror in looking at yourself that Fleabag had. There are jokes at every point. It's like a gag machine while also being dark. I remember after Fleabag happened, we had a wave of shows about women having nervous breakdowns and I got tired of the sameness of all of them.”

Scott: “Were they first person stories?”

Hayley: “Yeah well, they were all just focused on any old kind of 30-ish [woman] who has a crisis about where their life is going but there was nothing actually remarkable about what was going on in their life.

“But this, the centre of it, is something remarkable and huge. This one stands apart from those, I think. It's also odd and I really love it for that. I think if you're a fan of Nighty Night and how specific those jokes are, this might be up your street. But as I said, you have to go back and watch series one first because otherwise it will make no sense.”

Naga: “I'm going to echo just that bit that you said, “you have to go back to watch series one”, because I didn't. It passed me by. I'd seen the clips from Lenny winning the BAFTA.

“I watched the first episode of series two and I get it, but I'm not in love with it in the slightest. I think it's funny. I think it's poignant. I like things that you can just jump into and I think that's a failure of series two because if you don't have time, you want to be able to get into something and talk about stuff with other people.

“But I can't because I have to go back and watch series one. I genuinely think it's got brilliant elements, but I don't think I can just watch series two.”

Hayley: “But I think having a show that knows it's a story and you have to go back to the beginning - I appreciate that.”

Naga: “So just make it one series, Hayley! Why make it two?!

“The series starts half an hour after the end of the last series, so it was one series, which they've just stretched out into two to torture people!”

Hayley: “No, I find it patronising when they do a thing where you can jump in at the second series.”

Scott: “And I like that with TV, yes, I can understand your frustration Naga but what tends to be forgotten about in the streaming age is about ten years ago, you couldn't do this at all because the way that it worked, you couldn't catch up with a previous series.

“TV channels and people who made shows were encouraged to keep shows straightforward and accessible because people won't have the chance to rewatch a series when it's unavailable.

“Now, because of iPlayer, because of streaming, you're able to have much more narrative and much more complicated stories because to anyone who joins in halfway, like Line of Duty, you can go back and watch series one and I think that drives more people [to watch the show].

“So I like it for the reasons you hate it…”

Hayley: “I appreciate anything that allows stuff to get weird and doing this thing where a second series just picks up half an hour later and doesn't...

Naga: “Hence it being the first series, it's just Part B of the first series!”

Hayley: “I think, actually, you’re being unreasonable.”

Scott: “Did you just quote the name of the show back to Naga? That's amazing.”

Naga: “I'll go back to the beginning and give it another go.”

Scott: “I bet you'll love it, though.”

Naga: “I bet I do. I'm all about the darkness and the twisties and all that.”

Hayley: “I think what's going on here is you're annoyed at yourself.”

Naga: “No…”

Scott: “It's like being back in therapy.”

*All laughs*