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Neglected for painting Scotland: the Englishwoman overlooked in the art world because of her ‘joyful’ work north of the border

18 September 2018

From poverty-stricken city slums to the windswept north east coast, artist Joan Eardley captured two very different aspects of 20th Century Scotland.

Sussex-born Eardley graduated from Glasgow School of Art and began her career painting the residents of the city’s poorer tenements.

She was later drawn to the village of Catterline in Aberdeenshire, where she captured the wild weather and rural landscapes of the north east coast.

Artist Lachlan Goudie is an admirer of Eardley’s “extraordinary” collection of Catterline paintings.

“They feel to me to be some of her most personal images and they’re also jam-packed full of joy”, he said.

Joan Eardley's Catterline paintings

Joan Eardley's beautiful depictions of the seaside village of Catterline

Deserving of praise

Eardley’s career ended prematurely when she died in 1963, aged 42.

Goudie believes her determination to concentrate on this corner of Scotland may have prevented her receiving deserved posthumous praise.

“I have the sense that because her subjects and her career were so specific to Scotland, her wider importance has been neglected.”

He argues that Eardley is significant because she marked a moment of change, when artists turned away from the colorful painting traditions of the continent and became excited by “the expressive anxiety of a more northern tradition”.

Who was Joan Eardley?

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