Episode 5
Donald Macleod and Paul Hindmarsh discuss the final years of Bridge's career, when the composer's search for a distinctive voice found him increasingly at odds with his audience.
Bridge was not alone amongst composers in finding that what he wanted to write was not necessarily what the public wanted to hear. To end the week, Donald Macleod and Bridge authority Paul Hindmarsh look at how, as the composer searched for a distinctive voice, he found himself increasingly at odds with his audience.
Last on
More episodes
Previous
Next
You are at the last episode
Music Played
-
Frank Bridge
Go not, happy day for voice and piano
Performer: Jamie MCDOUGALL - Tenor Performer: Roger VIGNOLES - Piano
- HYPERION.
- CDA-67812.
-
Frank Bridge
3 Lyrics for piano
Performer: Ashley WASS - Piano
- NAXOS.
- 8.-557842.
-
Frank Bridge
Sir Roger de Coverley - Christmas Dance
Orchestra: ´óÏó´«Ã½ National Orchestra of Wales. Conductor: Richard Hickox.Conductor: Richard HICKOX Performer: ´óÏó´«Ã½ National Orchestra Of Wales
- CHANDOS.
- chan-10112.
-
Frank Bridge
Trio no. 2 for piano and strings
Performer: Bernard ROBERTS
- BLACK BOX.
- BBM-1028.
-
Frank Bridge
Threads - incidental music
Conductor: Nicholas CLEOBURY Performer: Britten Sinfonia
- CONIFER.
- 75605-51327-2.
Broadcasts
- Fri 5 Aug 2011 12:00´óÏó´«Ã½ Radio 3
- Fri 5 Aug 2011 18:30´óÏó´«Ã½ Radio 3
Beethoven Unleashed – the box set
What was really wrong with Beethoven?
Composers A to Z
Who knew? Five eye-opening stories from Composer of the Week
Five reasons why we love Parry's Jerusalem
What is the strange power of Jerusalem which makes strong men weep?
A man out of time – why Parry's music and ideas were at odds with his image...
The composer of Jerusalem was very far from the conservative figure his image suggests.
Composer Help Page
Find resources and contacts for composers from within the classical music industry.