Episode 5
Donald Macleod explores Bach's eventful final years at the ducal court, when his manoeuvres to secure a new job landed him in Weimar's prison.
Donald Macleod explores Bach's ten years in the city of Weimar, where he was court organist and concertmaster.
Donald looks at the composer's eventful final years at the ducal court, when his manoeuvres to secure a new job landed him in Weimar's prison for a brief spell.
Prelude (Suite in E minor, BWV 996)
Kim Heindel (lautenwerk)
KINGDOM KCLCD 2020, Tr 10
Cantata: Komm, du susse Todesstunde, BWV 161
Matthew White (alto)
Hans Jorg Mammel (tenor)
Collegium Vocale
Philippe Herreweghe (conductor)
HARMONIA MUNDI HMC901969
Chromatic Fantasia and Fugue, BWV 903
Christophe Rousset (harpsichord)
OISEAU LYRE 433 054-2, Trs 16-17
Preludes and Fugue in B (The Well-Tempered Clavier), BWV 868
Till Fellner (piano)
ECM ECM 4760482 CD2, Trs 21-22
Toccata and Fugue, BWV 538
Woolfgang Rubsam (organ)
Philips 420860-2 CD1, Tr 13.
Last on
More episodes
Previous
Next
Coming soon
Broadcasts
- Fri 15 May 2009 12:00´óÏó´«Ã½ Radio 3
- Fri 15 May 2009 22:00´óÏó´«Ã½ Radio 3
Beethoven Unleashed – the box set
What was really wrong with Beethoven?
Composers A to Z
Who knew? Five eye-opening stories from Composer of the Week
Five reasons why we love Parry's Jerusalem
What is the strange power of Jerusalem which makes strong men weep?
A man out of time – why Parry's music and ideas were at odds with his image...
The composer of Jerusalem was very far from the conservative figure his image suggests.
Composer Help Page
Find resources and contacts for composers from within the classical music industry.