The Maja and the Nightingale
Donald Macleod explores the influence on Granados of the art of Goya, plus aspects of his early life in Barcelona.
Granados grew up in Barcelona in tumultuous but exciting times, as the city became an industrial and commercial powerhouse, and a distinctively Catalan cultural centre. But the composer drew as much from the art of Madrid as from his home city, in particular the paintings of Goya and the majas and majos - streetwise, brazen, dashing men and women - that populate them. Donald Macleod looks at aspects of Granados' early life, including his piano studies in Paris, and some of the major influences on his work.
Last on
More episodes
Previous
You are at the first episode
Music Played
-
Enrique Granados
La Maja de Goya - guitar transcription
Performer: Duo Horreaux-Trehard
- Calliope CAL 9204.
-
Enrique Granados
Tonadillas - La maja dolorosa no.1-3
Performer: Montserrat Caballé (soprano)/ orchestra conducted by Rafael Ferrer
- BMG 09026 6253 2.
-
Enrique Granados
En la aldea for piano duet
Performer: Douglas Riva and Glen Kirchoff (piano)
- CRC 2043.
-
Enrique Granados
Danzas Espanolas Set 1 no.1
Performer: Alicia de Larrocha (piano)
- Decca 414 557-2.
-
Enrique Granados
Piano Quintet
Performer: Ensemble Variable
- Cpo 999 609-2.
Broadcasts
- Mon 11 Apr 2011 12:00´óÏó´«Ã½ Radio 3
- Mon 11 Apr 2011 22:00´óÏó´«Ã½ Radio 3
Vaughan Williams Today
Beethoven Unleashed – the box set
What was really wrong with Beethoven?
Composers A to Z
Who knew? Five eye-opening stories from Composer of the Week
Five reasons why we love Parry's Jerusalem
What is the strange power of Jerusalem which makes strong men weep?
A man out of time – why Parry's music and ideas were at odds with his image...
The composer of Jerusalem was very far from the conservative figure his image suggests.
Composer Help Page
Find resources and contacts for composers from within the classical music industry.