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Michael Berkeley's guest is the artist Garry Fabian Miller, whose work uses early photographic techniques to experiment with the nature and possibilities of light as both medium and subject. Since 1992 he has explored a more abstract form of picture-making by passing light through coloured glass and liquid and cut paper forms, using very long exposure. These unusual methods - a form of camera-less photography - create luminous realities that shift from pure abstraction to imaginary landscapes, and the results are usually presented as a series of images.

Garry Fabian Miller has exhibited widely throughout the world. In the UK, his work has been seen at the V & A Museum in London, Tate Liverpool, Newlyn, Edinburgh and Lincoln, among other venues. He is a regular exhibitor at the HackelBury Gallery in London, where his current exhibition, 'That I Might See', runs until mid-December.

The themes of light and darkness also permeate his musical choices, which range from a piece by the medieval composer Perotin, through Tudor vocal music by Byrd and Dowland to traditional music sung by June Tabor and Anne Briggs. There's also the Sarabande from Bach's English Suite No.2 in A minor, BWV 807, a songs by Edvard Grieg, sung by Anne Sofie von Otter, and Antony & The Johnsons with 'Hope there's Someone'.