A History of Memory or a Memory of History?
Writer Amanda Hopkinson lifts the lid on WG Sebald's photographic archive. He was fascinated by photographs and found in them an essential, evocative counterpoint to his stories.
Personal reflections on different aspects of the life, work and influence of WG Sebald by those who knew him, ten years after his death.
WG "Max" Sebald's literary career was at its height when he died in a car crash in December 2001, shortly after the publication of his masterpiece Austerlitz.
WG Sebald was fascinated by photographs. He found in them an essential, evocative counterpoint to his elegiac narratives. His books are strewn with them - enigmatic black-and-white captionless photographs. Never simply illustrative, these images are at once embedded in the prose while remaining disconnected, puzzling and digressive, asking questions and telling their own stories.
Amanda Hopkinson lifts the lid on WG Sebald's own photographic archive.
Presenter AMANDA HOPKINSON.
Last on
More episodes
Next
You are at the last episode
Broadcast
- Fri 9 Dec 2011 22:45大象传媒 Radio 3
Death in Trieste
A 1760s murder still informs ideas about aesthetics, a certain sort of sex, and death.
Watch: My Deaf World
Five compelling experiences of what it is like to be deaf in 21st-century Britain.
The Book that Changed Me
Five figures from the arts and science introduce books that changed their lives and work.
Download The Essay
Download all the episodes from the series and listen at your leisure.
Podcast
-
![]()
The Essay
Essays from leading writers on arts, history, philosophy, science, religion and beyond.
