Telemann the Everyman
Catherine Bott explores the idea of Telemann the Everyman: how he absorbed and excelled at so many musical styles, and purposely made his music available and appealing to the widest possible audience. She's joined by musicologist, flautist and all-round Telemann expert Steven Zohn.
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Music Played
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Georg Philipp Telemann
Cantata No.5 "Ein Jammerton" from the Fortsetzung des harmonischen Gottesdienstes
Performers: Ruth Ziesak (soprano), Camerata K枚ln
- CPO.
- 999 7642.
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Georg Philipp Telemann
Fantasia No.7 in D major (trans F major) for unaccompanied recorder
Performer: Marion Verbruggen (recorder)
- HARMONIA MUNDI.
- HMU 907158.
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Georg Philipp Telemann
Aria "Soll mir zu bitter d眉nken den herben Kelch zu trinken" from the 1745 St. John Passio
Performers: Catherine Bott (soprano), Capella Brugensis , Collegium Instrumentale Brugense, Patrick Peire (director)
- EUFODA.
- 1224.
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Georg Philipp Telemann
Chorus "Unsre Seel ist gebeuget zu der Erden" from Der Tod Jesu
Performers: Ex Tempore, Le Mercure Galant, Florian Heyerick (conductor)
- RENE GAILLY.
- VTP CD92025.
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Georg Philipp Telemann
Concerto No. 2 from the Quadri
Performers: Trio Sonnerie, Wilbert Hazelzet (flute)
- VIRGIN CLASSICS.
- VC 5450202.
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Georg Philipp Telemann
Chorus "Wie Ist Dein Name So Gro脽" from Die Donnerode, Part I
Performers: Das Kleine Konzert, Rheinische Kantorei, Hermann Max (conductor)
- CAPRICCIO.
- 10 556.
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Georg Philipp Telemann
Cantata No.5 "Ein Jammerton"
-
Georg Philipp Telemann
Fantasia No.7 in D major
-
Georg Philipp Telemann
"Soll mir zu bitter d眉nken den herben Kelch zu trinken" (1745 St John Passion)
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Georg Philipp Telemann
"Unsere Seel ist gebeuget zu der Erden" from 'Der Tod Jesu'
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Georg Philipp Telemann
Concerto No.2 from the 'Quadri'
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Georg Philipp Telemann
Chorus "Wie ist Dein Name so Gross" from "Die Donnerode", Part I
Broadcast
- Sat 23 Feb 2013 13:00大象传媒 Radio 3
Podcast
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The Early Music Show
Performance and news from the world of early music.