Handel and his Italian Patrons
Donald Macleod on Handel's Italian patrons - princes, marquises, cardinals, duchesses - all dazzled by the brilliance of the man they knew as Il caro Sassone (the dear Saxon).
For Radio 3's Baroque Spring, Composer of the Week chooses four of the most well-loved Baroque composers - JS Bach, Vivaldi, Purcell and starting this week with Handel. Though Saxon by birth, Handel is often claimed by the English as one of their own. But during his early 20s, before England was even a glint in his eye, he spent a spell of three-and-a-half years, from summer 1706 to early 1710, travelling the patchwork of states we now know as Italy. He certainly chose an 'interesting' time to go; the War of the Spanish Succession was in full swing, and its reverberations were felt the length and breadth of the Italian peninsula. For most of the period he was based in Rome, but he also visited Florence, Naples and Venice, fulfilling major commissions in each city. All this week, Donald Macleod charts the composer's Italian progress, with the help of novelist, biographer and avid Handelian, Jonathan Keates.
Handel's networking skills were almost on a level with his compositional prowess, and wherever he went, he seemed effortlessly to ally himself with the most powerful and influential cultural gatekeepers of the day. So today's programme focuses on Handel's Italian patrons - princes, marquises, cardinals, duchesses - all dazzled by the brilliance of the man they knew as Il caro Sassone - the dear Saxon.
Last on
More episodes
Previous
You are at the first episode
Music Played
-
George Frideric Handel
La resurrezione, HWV 47 part 2, Introduction
Performers: The Amsterdam Baroque Orchestra, Ton Koopman (harpsichord and direction)
- Erato:2292-45617-2.
- 1.
-
George Frideric Handel
Armida abbandonata, HWV 105
Performers: Lucy Crowe (soprano), The English Concert, Harry Bicket (harpsichord and direction)
- Harmonia Mundi:HMU 907559.
-
George Frideric Handel
Aci, Galatea e Polifemo, HWV 72 Overture
Performers: Le Concert d’Astrée, Emmanuelle Haïm (conductor)
- Virgin:5 45557 2.
- 1.
-
George Frideric Handel
Vincer se stesso è la maggior vittoria (Rodrigo) HWV 5
Performers: Gloria Banditelli (mezzo-soprano – Rodrigo), Sandrine Piau (soprano – Esilena), Il Complesso Barocco Alan Curtis (harpsichord and direction)
- Virgin:5 45897 2.
- 33.
-
George Frideric Handel
La Resurrezione, HWV 47 part 1, scene 1
Performers: Barbara Schlick (soprano – Angel), Klaus Mertens (bass – Lucifer), The Amsterdam Baroque Orchestra (leader: Andrew Manze), Ton Koopman (harpsichord continuo and direction)
- Erato:2292-45617-2.
-
George Frideric Handel
La resurrezione, HWV 47 part 2, Introduction
Performers: The Amsterdam Baroque Orchestra, Ton Koopman (harpsichord and direction)
- Erato:2292-45617-2.
- 1.
-
George Frideric Handel
Armida abbandonata, HWV 105
Performers: Lucy Crowe (soprano), The English Concert, Harry Bicket (harpsichord and direction)
- Harmonia Mundi:HMU 907559.
-
George Frideric Handel
Aci, Galatea e Polifemo, HWV 72 Overture
Performers: Le Concert d’Astrée, Emmanuelle Haïm (conductor)
- Virgin:5 45557 2.
- 1.
-
George Frideric Handel
Vincer se stesso è la maggior vittoria (Rodrigo) HWV 5
Performers: Gloria Banditelli (mezzo-soprano – Rodrigo), Sandrine Piau (soprano – Esilena), Il Complesso Barocco Alan Curtis (harpsichord and direction)
- Virgin:5 45897 2.
- 33.
-
George Frideric Handel
La Resurrezione, HWV 47 part 1, scene 1
Performers: Barbara Schlick (soprano – Angel), Klaus Mertens (bass – Lucifer), The Amsterdam Baroque Orchestra (leader: Andrew Manze), Ton Koopman (harpsichord continuo and direction)
- Erato:2292-45617-2.
Broadcasts
- Mon 4 Mar 2013 12:00´óÏó´«Ã½ Radio 3
- Mon 4 Mar 2013 18:30´óÏó´«Ã½ Radio 3
Vaughan Williams Today
Beethoven Unleashed – the box set
What was really wrong with Beethoven?
Composers A to Z
Who knew? Five eye-opening stories from Composer of the Week
Five reasons why we love Parry's Jerusalem
What is the strange power of Jerusalem which makes strong men weep?
A man out of time – why Parry's music and ideas were at odds with his image...
The composer of Jerusalem was very far from the conservative figure his image suggests.
Composer Help Page
Find resources and contacts for composers from within the classical music industry.