Main content
Sorry, this episode is not currently available

Music for Orchestra

Donald Macleod focuses on Schumann's orchestral output.

When Robert Schumann abandoned his legal studies, the world may have lost a lawyer, but it gained one of the freshest, most distinctive musical voices of the 19th - or any other - century. In this 70th anniversary week of the programme, Donald Macleod explores the work and life of this prototypically Romantic composer, who drew his inspiration as much from literature and the dramas of his own life as from the music of the composers he revered - above all, Bach, Beethoven and Schubert.

Largely self-taught, Schumann immersed himself in one musical medium until he felt ready to move on and tackle another. So this week's programmes look in turn at his five major fields of compositional activity: solo piano; song; chamber music; music drama; and music for orchestra.

Schumann's orchestral output is the focus of the last of the week's programmes, with a complete performance of his 4th Symphony of 1841 (in its lusher 1851 revision). Donald also introduces an extract from one of Schumann's most exuberant and original works, the Konzertstück for 4 horns and orchestra, written during the composer's most productive year, 1849; and the strangely haunting Phantasie for violin and orchestra, one of Schumann's last completed works. It was written in the afterglow of encounters with the 18-year-old Joachim - six years into his career and already one of the foremost violinists in Europe - and a little-known composer, recently turned 20, who had the chutzpah to pitch up on the famous man's doorstep with a satchelful of his own compositions: Johannes Brahms.

1 hour

Last on

Fri 2 Aug 2013 18:30

More episodes

Next

You are at the last episode

See all episodes from Composer of the Week

Music Played

  • Robert Schumann

    1st mvt: Lebhaft - Konzertstück for four horns and orchestra, op.86

    Performer: Dale Clevenger, (horn) Performer:Richard Oldberg, (horn) Performer:Thomas Howell, (horn) Performer:Norman Schweikert (horn) Performer:Chicago Symphony Orchestra Conductor: Daniel Barenboim

    • Decca Eloquence: 442 8410.
    • 5.
  • Robert Schumann

    Phantasie for violin and orchestra in C, op.131

    Performer: Thomas Zehetmair (violin) Performer:Philharmonia Orchestra Performer: Christoph Eschenbach (conductor)

    • Apex 7495172.
    • 4.
  • Robert Schumann - Symphony no.4 in D minor, op.120

    Performer: Orchestre Révolutionnaire et Romantique Performer:John Eliot Gardiner (conductor)

  • Robert Schumann

    1st mvt: Lebhaft - Konzertstück for four horns and orchestra, op.86

    Performer: Dale Clevenger, (horn) Performer:Richard Oldberg, (horn) Performer:Thomas Howell, (horn) Performer:Norman Schweikert (horn) Performer:Chicago Symphony Orchestra Conductor: Daniel Barenboim

    • Decca Eloquence: 442 8410.
    • 5.
  • Robert Schumann

    Phantasie for violin and orchestra in C, op.131

    Performer: Thomas Zehetmair (violin) Performer:Philharmonia Orchestra Performer: Christoph Eschenbach (conductor)

    • Apex 7495172.
    • 4.
  • Robert Schumann - Symphony no.4 in D minor, op.120

    Performer: Orchestre Révolutionnaire et Romantique Performer:John Eliot Gardiner (conductor)

Broadcasts

  • Fri 2 Aug 2013 12:00
  • Fri 2 Aug 2013 18:30

Vaughan Williams Today

Vaughan Williams Today

Programmes, concerts and features celebrating Vaughan Williams's 150th anniversary.

Beethoven Unleashed – the box set

Beethoven Unleashed – the box set

The complete set of Radio 3 Beethoven Unleashed podcasts, with Donald Macleod.

What was really wrong with Beethoven?

What was really wrong with Beethoven?

Georgia Mann and neurosurgeon Henry Marsh examine the composer's numerous health problems

Composers A to Z

Composers A to Z

Visit the extensive audio archive of Radio 3 programmes about Composers and their works.

Who knew? Five eye-opening stories from Composer of the Week

Who knew? Five eye-opening stories from Composer of the Week

The production team reflects on 5 of Donald Macleod’s best stories from the last 20 years

Five reasons why we love Parry's Jerusalem

What is the strange power of Jerusalem which makes strong men weep?

A man out of time – why Parry's music and ideas were at odds with his image...

The composer of Jerusalem was very far from the conservative figure his image suggests.

Composer Help Page

Find resources and contacts for composers from within the classical music industry.