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Verdi 200: Rigoletto

From the Metropolitan Opera in New York, Dmitri Hvorostovsky, Matthew Polenzani and Sonya Yoncheva star in Verdi's opera Rigoletto. Pablo Heras-Casado conducts.

Verdi 200: The new Met season opens with Verdi's Rigoletto, based on Victor Hugo's play 'Le roi s'amuse'. The Duke of Mantua's hunchbacked jester Rigoletto has raised his daughter Gilda in seclusion from the world. When Count Monterone's daughter is seduced by the Duke, Rigoletto mocks him, causing Monterone to curse him. Then Gilda is also seduced by the Duke, and the curse begins to take terrible effect.

Presented by Margaret Juntwait with guest commentator Ira Siff.

Gilda ..... Sonya Yoncheva (soprano)
Maddalena ..... Oksana Volkova (contralto)
Duke of Mantua ..... Matthew Polenzani (tenor)
Rigoletto ..... Dmitri Hvorostovsky (baritone)
Sparafucile ..... Stefan Koc谩n (bass)
Countess Ceprano ..... Wallis Giunta (Mezzo-soprano)
Giovanna ..... Maria Zifchak (Soprano)
Monterone ..... Robert Pomakov (Bass)
Borsa ..... Alexander Lewis (Tenor)
Marullo ..... Jeff Mattsey (Baritone)
Ceprano ..... David Crawford (Baritone)
Page ..... Catherine Choi (Soprano)
Guard ..... Earle Patriarco (Baritone)

Chorus and Orchestra of The Metropolitan Opera, New York
Conducted by Pablo Heras-Casado.

3 hours

Rigoletto Synopsis

Las Vegas 1960听
Act I
At his casino, the Duke boasts of his way with women. He dances with the Countess Ceprano, while Rigoletto, the Duke鈥檚 hunchbacked sidekick and sometime comedian, mocks the countess鈥檚 enraged but helpless husband, Count Ceprano. Marullo, one of the Duke鈥檚 entourage, bursts in with the latest gossip: Rigoletto is suspected of keeping a young mistress at his place. Rigoletto, unaware of the news, continues to taunt Ceprano, who plots with the others to punish him. Monterone, an Arab tycoon, forces his way into the crowd to denounce the Duke for seducing his daughter and is viciously ridiculed by Rigoletto. Monterone is arrested and curses Rigoletto.

Rigoletto is disturbed by Monterone鈥檚 curse. He encounters Sparafucile, a hitman, who offers his services. Rigoletto reflects that his own tongue is as sharp as the murderer鈥檚 knife. Arriving at home he warmly greets his daughter, Gilda. Afraid for the girl鈥檚 safety, he warns the housekeeper, Giovanna, not to let anyone into the apartment. When Rigoletto leaves, the Duke appears and bribes Giovanna, who lets him in. He declares his love for Gilda, who has secretly admired him at church, and tells her he is a poor student. After he has left, Gilda tenderly thinks of her newfound love before going to bed. The Duke鈥檚 entourage gathers, intending to abduct Rigoletto鈥檚 鈥渕istress.鈥 Rigoletto appears and they quickly change their story, telling him they are abducting the Countess Ceprano, and enlist his aid in their scheme. But they have deceived him and it is Gilda they carry off, with Rigoletto鈥檚 unwitting assistance. He rushes in to discover that his daughter is gone and collapses as he remembers Monterone鈥檚 curse.

Act II
At the casino, the Duke is distraught about the abduction of Gilda. When his entourage returns and tells him the story of how they took the girl from Rigoletto鈥檚 apartment and left her in the Duke鈥檚 rooms, he hurries off to her. Rigoletto enters, looking for Gilda. The entourage is astonished to find out that she is his daughter rather than his mistress, but they prevent him from storming into the Duke鈥檚 apartment. Rigoletto violently denounces them for their cruelty, then asks for compassion. Gilda appears and runs in shame to her father, who orders the others to leave. Alone with Rigoletto, Gilda tells him of the Duke鈥檚 courtship, of her abduction, and her seduction by the Duke. Monterone is brought in as he is being taken away by the Duke鈥檚 men, and Rigoletto swears that both he and the old man will be avenged. Gilda begs her father to forgive the Duke.

Act III
Rigoletto and Gilda arrive at a seedy club on the outskirts of town where Sparafucile and his sister Maddalena live. Inside, the Duke laughs at the fickleness of women. Gilda and Rigoletto watch through the window as the Duke amuses himself with Maddalena. Rigoletto tells Gilda to leave town disguised as a man and pays Sparafucile to murder the Duke. Gilda returns to overhear Maddalena urge her brother to spare the handsome stranger and kill the hunchback instead. Sparafucile refuses to murder Rigoletto but agrees to kill the next person who arrives at the club, so that he will be able to produce a dead body. Gilda decides to sacrifice herself for the Duke. She knocks, enters the club, and is stabbed. Rigoletto returns and Sparafucile presents him with the body, which is wrapped in a trenchcoat with its face covered. Assuming it is the Duke鈥檚, Rigoletto gloats over the body, when he hears his supposed victim singing in the distance. Frantically pulling the covering aside, he finds his daughter, who dies asking his forgiveness. Horrified, Rigoletto remembers Monterone鈥檚 curse.

(c) Metropolitan Opera

Broadcast

  • Mon 9 Dec 2013 19:00