Main content
Sorry, this episode is not currently available

Doctor Dvorak

Donald Macleod focuses on the British origins of Dvorak's Eighth Symphony and the Requiem, as well as his being awarded a doctorate.

Between 1884 and 1896, Dvor谩k visited Britain nine times - with enormous benefit both to himself and to musical life on these shores. The platforms offered by London's conductors and concert venues helped to launch him as a composer of international stature. Before his first visit to London, he was known only in the German-speaking world and his native Bohemia. By his fifth visit, his fame was on a par with that of his friend and untiring advocate Brahms.

Donald Macleod explores the origins of Dvor谩k's 8th Symphony, commissioned by the Royal Philharmonic Society, and his Requiem, written for the Birmingham Festival of 1891. The RPS had been trying to persuade Dvor谩k to compose something new for them for several years but he remained busy with other projects until the end of 1889. Eventually, he wrote to say that he had started sketching "something new for your concerts". His new symphony was a huge success at its British premi猫re the following April. By now, Dvor谩k was practically a member of the British musical establishment so it was a logical step for Cambridge University to award him an honorary doctorate. He attended the ceremony in June 1891 - an all-Latin affair that evidently made him extremely uncomfortable. In the wake of the rapturous reception given to The Spectre's Bride at the Birmingham Festival of 1885, Dvor谩k was commissioned to write a new oratorio. At first it was suggested to him that he should set The Dream of Gerontius, a poem by Cardinal Newman, but Dvor谩k found the text alien and opted instead for a setting of the Requiem mass, which received its world premi猫re in Birmingham in October 1891, under the baton of the composer.

Requiem, Op 89; Dies Irae
Czech Philharmonic Orchestra
Karel An?erl, conductor

Symphonic Variations, Op 78
Czech Philharmonic Orchestra
Charles Mackerras, conductor

Symphony No 8 in G, Op 88; 3rd and 4th mvts
London Symphony Orchestra
Istv谩n Kert茅sz, conductor

Requiem, Op 89; 'Domine, Jesu Christe'
Maria Stader (soprano)
Sieglinde Wagner (alto)
Ernst Haefliger (tenor)
Kim Borg (bass)
Czech Philharmonic Orchestra
Karel Ancerl, conductor

Producer: Chris Barstow.

1 hour

Music Played

  • Anton铆n Dvo艡谩k

    Requiem mass Op.89 - Domine, Jesu Christe

    Conductor: Karel An膷erl. Orchestra: Czech Philharmonic Orchestra.
    • DG : 437 377-2.
    • DG.
    • 3.
  • Anton铆n Dvo艡谩k

    Symphonic variations Op.78

    Conductor: Charles Mackerras. Orchestra: Czech Philharmonic Orchestra.
    • SUPRAPHON : su-3533-2 021.
    • SUPRAPHON.
    • 1.
  • Anton铆n Dvo艡谩k

    Requiem mass Op.89 - Dies irae

    Singer: Ernst Haefliger. Conductor: Karel An膷erl. Singer: Kim Borg. Singer: Sieglinde Wagner. Orchestra: Czech Philharmonic Orchestra. Singer: Maria Stader.
    • DG : 437 377-2.
    • DG.
    • 9.
  • Anton铆n Dvo艡谩k

    Symphony no. 8 in G major Op.88 - 4th mvts

    Orchestra: London S O.. Conductor: Istv谩n Kert茅sz.
    • LONDON : 430 046-2.
    • LONDON.
    • 7.
  • Anton铆n Dvo艡谩k

    Symphony no. 8 in G major Op.88 - 3rd mvts

    Orchestra: London S O.. Conductor: Istv谩n Kert茅sz.
    • LONDON : 430 046-2.
    • LONDON.
    • 7.

Broadcasts

  • Thu 4 Sep 2014 12:00
  • Thu 4 Sep 2014 18:30

Vaughan Williams Today

Vaughan Williams Today

Programmes, concerts and features celebrating Vaughan Williams's 150th anniversary.

Beethoven Unleashed 鈥 the box set

Beethoven Unleashed 鈥 the box set

The complete set of Radio 3 Beethoven Unleashed podcasts, with Donald Macleod.

What was really wrong with Beethoven?

What was really wrong with Beethoven?

Georgia Mann and neurosurgeon Henry Marsh examine the composer's numerous health problems

Composers A to Z

Composers A to Z

Visit the extensive audio archive of Radio 3 programmes about Composers and their works.

Who knew? Five eye-opening stories from Composer of the Week

Who knew? Five eye-opening stories from Composer of the Week

The production team reflects on 5 of Donald Macleod鈥檚 best stories from the last 20 years

Five reasons why we love Parry's Jerusalem

What is the strange power of Jerusalem which makes strong men weep?

A man out of time 鈥 why Parry's music and ideas were at odds with his image...

The composer of Jerusalem was very far from the conservative figure his image suggests.

Composer Help Page

Find resources and contacts for composers from within the classical music industry.