Main content
Sorry, this episode is not currently available

New Directions

Donald Macleod focuses on Judith Weir's appointment as associate composer to the ´óÏó´«Ã½ Singers. And Weir discusses how a building's fabric can be captured in musical form.

This week Donald Macleod talks to Judith Weir about her life and her music. One of our most distinguished composers, in July 2014 she succeeded Sir Peter Maxwell Davies as Master of the Queen's Music. It's an honour that joins an already impressive collection of awards, which include a CBE and the Queen's Medal for Music. Born in 1954 into a musical Scottish family, Weir grew up near London. A member of the National Youth Orchestra of Great Britain, Weir studied composition with John Tavener during her school holidays. More formal studies followed at Cambridge University, including composition with Robin Holloway, and at Tanglewood summer school, where she worked with Gunther Schuller. The possessor of a rich, fertile imagination, Weir draws on a wide variety of sources, notably dark fairytales, folk stories, Chinese philosophy, Indian music and culture, distilling their essence in music of luminous clarity. Her fundamental concern is to tell stories. An articulate communicator, Weir's writing about her music encapsulates the process brilliantly. In this series, Weir offers a personal insight into some of the musical projects which have occupied her since the beginning of the noughties.

On January 1st 2015 Judith Weir took up a new position as Associate Composer to the ´óÏó´«Ã½ Singers. In the first of this series of five programmes, Donald Macleod discovers where this new choral direction will be leading and how a building's fabric can be captured in musical form.

1 hour

Last on

Mon 30 Mar 2015 18:30

More episodes

Previous

You are at the first episode

See all episodes from Composer of the Week

Music Played

  • Judith Weir

    Stars, Night, Music And Light For Chorus And Orchestra

    Choir: ´óÏó´«Ã½ Symphony Chorus. Conductor: Jiří BÄ›lohlávek. Orchestra: ´óÏó´«Ã½ Symphony Orchestra.
  • Judith Weir

    The Wild Reeds For Organ

    Performer: Thomas Trotter.
  • Judith Weir

    The Song Sung True For Double Chorus

    Choir: ´óÏó´«Ã½ Singers. Conductor: David Hill.
  • Judith Weir

    The Vanishing Bridegroom - Opera In 3 Acts

    Singer: Ailish Tynan. Orchestra: ´óÏó´«Ã½ S O.. Choir: ´óÏó´«Ã½ Singers. Conductor: Martyn Brabbins. Singer: Jonathan Lemalu. Singer: Andrew Tortise.
    • NMC D196.
    • NMC.
    • 7.
  • Judith Weir

    Concrete For Orchestra

    Choir: ´óÏó´«Ã½ Symphony Chorus. Orchestra: ´óÏó´«Ã½ Symphony Orchestra. Narrator: Samuel West. Conductor: Martyn Brabbins.

Broadcasts

  • Mon 30 Mar 2015 12:00
  • Mon 30 Mar 2015 18:30

Vaughan Williams Today

Vaughan Williams Today

Programmes, concerts and features celebrating Vaughan Williams's 150th anniversary.

Beethoven Unleashed – the box set

Beethoven Unleashed – the box set

The complete set of Radio 3 Beethoven Unleashed podcasts, with Donald Macleod.

What was really wrong with Beethoven?

What was really wrong with Beethoven?

Georgia Mann and neurosurgeon Henry Marsh examine the composer's numerous health problems

Composers A to Z

Composers A to Z

Visit the extensive audio archive of Radio 3 programmes about Composers and their works.

Who knew? Five eye-opening stories from Composer of the Week

Who knew? Five eye-opening stories from Composer of the Week

The production team reflects on 5 of Donald Macleod’s best stories from the last 20 years

Five reasons why we love Parry's Jerusalem

What is the strange power of Jerusalem which makes strong men weep?

A man out of time – why Parry's music and ideas were at odds with his image...

The composer of Jerusalem was very far from the conservative figure his image suggests.

Composer Help Page

Find resources and contacts for composers from within the classical music industry.