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Stravinsky's The Rake's Progress

Live from the Met in New York, a performance of Stravinsky's neo-classical masterpiece The Rake's Progress, starring Paul Appleby as Tom Rakewell. James Levine conducts.

Live from the Met in New York, Stravinsky's neo-classical masterpiece The Rake's Progress, a tale with a moral representing the fall of Tom Rakewell, a rake, inspired by scenes of moral decay in 18th-Century London by painter William Hogarth. The libretto is by W. H. Auden and Chester Kallman. Paul Appleby sings the title role, Layla Claire is Anne Trulove, his betrothed, and Nick Shadow, in effect the Devil, is sung by Gerald Finley. Maestro James Levine conducts the opera chorus and the orchestra of the Metropolitan Opera House. Mary Jo Heath presents.

Tom Rakewell.....Paul Appleby (Tenor)
Anne Trulove.....Layla Claire (Soprano)
Nick Shadow.....Gerald Finley (Bass)
Baba the Turk.....Stephanie Blythe (Mezzo-soprano)
Father Trulove.....Brindley Sherratt (Bass)
Sellem.....Tony Stevenson (Tenor)
Mother Goose.....Margaret Lattimore (Mezzo-soprano)
Keeper of the Madhouse.....Paul Corona (Bass)

New York Metropolitan Opera Chorus
New York Metropolitan Opera Orchestra
James Levine (Conductor).

3 hours, 30 minutes

Last on

Sat 9 May 2015 18:00

Synopsis

Act I
In the garden of her father鈥檚 country house, Anne Trulove and her fianc茅, Tom Rakewell, celebrate springtime. Trulove, who has doubts about Tom鈥檚 character, has arranged an accountant鈥檚 job for him in the city, but Tom declines the offer. Alone, he declares his intention to trust his good fortune and enjoy life. When he expresses his wish for money, a stranger appears and introduces himself as Nick Shadow. He tells Tom that a forgotten uncle has died, leaving him a fortune. Anne and Trulove return to hear the good news. Shadow suggests accompanying Tom to London to help settle his affairs, and Tom agrees to pay him for his services in a year and a day. As they leave, Tom promises to send for Anne as soon as everything is arranged. Shadow turns to the audience announcing, 鈥淭he progress of a rake begins.鈥

At a brothel in the city, Tom recites the catechism Shadow has taught him to the madam, Mother Goose: to follow nature rather than rules and to seek beauty and pleasure. When asked about love, he becomes momentarily terrified. He is eager to escape as the clock strikes one, but Shadow turns it back an hour and assures Tom that time is his. Tom responds with reflections on love, which he feels he has betrayed, but then accepts Mother Goose鈥檚 offer to spend the night with her.

As night falls, Anne wonders why she hasn鈥檛 heard from Tom. She leaves her father鈥檚 house, determined to find him.

Act II
Tom, in his house in the city, is bored and disillusioned with his decadent life and no longer dares to think of Anne. He pronounces his second wish: for happiness. Shadow appears and shows him a poster of Baba the Turk, a bearded lady on display at the fair. He suggests that Tom marry her to express his freedom and thus know true happiness. Amused, Tom agrees.

Anne comes to Tom鈥檚 house, surprised to see servants enter with strangely shaped packages. Tom arrives in a sedan. Startled at the sight of Anne, he declares himself unworthy and tells her to leave and forget him. Baba calls out from the sedan, and Tom admits to the astonished Anne that he is married. Both wonder what might have been, while Baba interrupts with impatient remarks. Anne faces reality and leaves, as a crowd of passers-by hails Baba.

In his morning room, Tom sits sulking while Baba chatters away. When he refuses to respond to her affection, she complains bitterly. Tom silences her, then falls into an exhausted sleep, as Baba remains motionless. Shadow wheels in a strange machine that seems to turn stones into bread. Tom awakes, saying 鈥淚 wish it were true鈥濃攐nly to realize that the machine is what he saw in his dream. Elated, he wonders if in return for doing one good deed he might again deserve Anne. Shadow points out the device鈥檚 usefulness in fooling potential investors.

Act III
Tom鈥檚 business venture has ended in ruin and his belongings鈥攊ncluding Baba, who has remained in the same position鈥攁re up for auction. As gossiping customers examine the objects, Anne enters looking for Tom. The auctioneer, Sellem, begins to hawk various articles. When the crowd bids for Baba, she resumes her chatter and, indignant at finding her possessions up for sale, tries to order everyone out. She advises Anne to find Tom, who still loves her. Tom and Shadow are heard singing in the street and Anne rushes out after them while Baba makes a dignified exit.

Shadow has led Tom to a graveyard with a freshly dug grave and reminds him that a year and a day have passed and his payment is due. Tom must end his life by any means he chooses before the stroke of midnight. Suddenly, Shadow offers an alternative: they will gamble for Tom鈥檚 soul. Placing his trust in the Queen of Hearts, Tom calls upon Anne as her voice is heard. The defeated Shadow disappears, condemning Tom to insanity in retaliation. As dawn breaks, Tom imagines himself Adonis, the lover of Venus.

In an insane asylum, Tom awaits his wedding to Venus, mocked by the other inmates. The Keeper admits Anne. Believing her to be Venus, Tom confesses his sins, and for a moment they imagine timeless love in Elysium. Tom asks her to sing him to sleep. The other inmates are moved by her voice. Trulove comes to fetch his daughter and Anne bids the sleeping Tom farewell. When he wakes to find her gone, he cries out for Venus as the inmates mourn Adonis.

Epilogue
The principals gather to tell the moral of the story. Anne warns that not every man can hope for someone like her to save him; Baba warns that all men are mad; Tom warns against self-delusion, to Trulove鈥檚 agreement; Shadow mourns his role as man鈥檚 alter ego. All agree that the devil finds work for idle hands.

Broadcast

  • Sat 9 May 2015 18:00