On the Wrong Side of the Law
Matthew Sweet with a selection of film music written for characters who find themselves on the wrong side of the law in the week that has seen the release of John Maclean's "Slow West" with a score by Jed Kurzel.
Matthew's Classic Score of the Week is Erich Korngold's 1935 "Captain Blood".
Last on
More episodes
Previous
Next
Interview with James Horner
Music Played
-
Bernard Herrmann
The Wrong Man
Orchestra: Studio Orchestra conducted by the composer.- Soundstage Records : SCD-575.
- Soundstage Records.
- 2.
-
James Howard Newton
The Fugitive - The Storm Drain
Conductor: Marty Paich. Orchestra: Studio Orchestra.- ELEKTRA : 7559615922.
- ELEKTRA.
- 2.
-
Carter Burwell
Fargo - Fargo, North Dakota
Performer: Studio Orchestra, C.B. Carter Burwell. Orchestra: Studio Orchestra Cond. By Composer.- FARGO/BARTON FINK.
- TVT.
- 1.
-
脡ric Serra
Leon - Fight
Conductor: John Altman. Orchestra: Studio Orchestra.- Columbia : 4783232.
- Columbia.
- 21.
-
Michel Legrand
The Thomas Crown Affair
Orchestra: Studio Orchestra Cond. By Composer.- Varese Sarabande :VSD6560.
- Varese Sarabande.
- 4.
-
Georges Auric
Rififi (Suite) - The Loot
Orchestra: Slovak Radio Symphony Orchestra. Conductor: Adriano.- Marco Polo : 8225136.
- Marco Polo.
- 15.
-
Marc Streitenfeld
Robin Hood The Legend Begins/The Merry Men
Orchestra: Studio Orchestra Cond. By Composer.- Varese Sarabande : VSD7020.
- Varese Sarabande.
- 21.
-
Erich Wolfgang Korngold
Captain Blood - Music For The Film
Orchestra: London Symphony Orchestra. Conductor: Andr茅 Previn.- DG : 4713472.
- DG.
- 18.
-
Jed Kurzel
Slow West
Orchestra: Studio Orchestra Cond. By Composer. -
Mancini
Touch Of Evil
Music Arranger: N/A. Orchestra: Studio Orchestra.- Movie Sound : MSCD401.
- Movie Sound.
- 1.
-
James Horner
Star Trek II - The Wrath Of Khan
Orchestra: Studio Orchestra Cond. By Composer.- GNP Crescendo : GNPD8022.
- GNP Crescendo.
- 9.
Broadcast
- Sat 27 Jun 2015 16:00大象传媒 Radio 3
Moon River: The story of the 1962 Oscars Best Song winner
Podcast
-
Sound of Cinema
Matthew Sweet's weekly look at music for the screen