Verdi's Otello
Live from the Metropolitan Opera, New York, a performance of Verdi's Otello. With Aleksandrs Antonenko in the title role and Hibla Gerzmava as his wife Desdemona.
Widely seen as Italian opera's greatest tragedy, Verdi's late opera Otello, based on Shakespeare's great tragedy of deception and betrayal, sees the love between the Moorish general Otello and his new wife Desdemona destroyed by the manipulative Iago. The score contains some of Verdi's most intense and dramatic music, placing huge importance on the role of the orchestra. Baritone Zeljko Lucic sings the role of the manipulative Iago, with soprano Hibla Gerzmava as Desdemona, and tenor Aleksandrs Antonenko in the title role, the outsider who cannot control his jealousy.
Presented by Mary Jo Heath with commentary from Ira Siff.
Cast:
Desdemona ..... Hibla Gerzmava (soprano)
Otello ..... Aleksandrs Antonenko / Francesco Anile* (tenor)
Cassio ..... Alexey Dolgov (tenor)
Iago ..... Zeljko Lucic (baritone)
Lodovico ..... James Morris (bass-baritone)
Montano ..... Jeff Mattsey (baritone)
Emilia ..... Jennifer Johnson Cano (mezzo-soprano)
Roderigo ..... Chad Shelton (tenor)
Herald ..... Tyler Duncan (baritone)
The Chorus of the Metropolitan Opera, New York
The Orchestra of the Metropolitan Opera, New York
Adam Fischer (conductor)
*Due to illness, Francesco Anile stood in for Aleksandrs Antonenko during the last scene.
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Music Played
-
Ralph Vaughan Williams
The Lark Ascending
Performer: Tamsin Waley-Cohen. Orchestra: Orchestra of the Swan. Conductor: David Curtis. -
Guy Woolfenden
Dances from Much Ado About Nothing
Ensemble: English Serenata.
Synopsis
ACT I
Cyprus, late 19th century. During a violent storm, the people of Cyprus await the return of their governor and general of the Venetian fleet, the Moor Otello. He has been fighting the Muslim Turks and guides his victorious navy to safe harbor. In his absence, the young Venetian Roderigo has arrived in Cyprus and fallen in love with Otello鈥檚 new wife, Desdemona. Otello鈥檚 ensign Iago, who secretly hates the governor for promoting the officer Cassio over him, promises Roderigo to help win her. While the citizens celebrate their governor鈥檚 return, Iago launches his plan to ruin Otello. Knowing that Cassio gets drunk easily, Iago proposes a toast. Cassio declines to drink, but abandons his scruples when Iago salutes Desdemona, who is a favorite of the people. Iago then goads Roderigo into provoking a fight with Cassio, who is now fully drunk. Montano, the former governor, tries to separate the two, and Cassio attacks him as well. Otello appears to restore order, furious about his soldiers鈥 behavior. When he realizes that Desdemona has also been disturbed by the commotion, he takes away Cassio鈥檚 recent promotion and dismisses everyone. Otello and Desdemona reaffirm their love.
ACT II
Iago advises Cassio to present his case to Desdemona, arguing that her influence on Otello will secure his rehabilitation. Alone, Iago reveals his bleak, nihilistic view of humankind. He makes dismissive remarks about Desdemona鈥檚 fidelity to Otello, whose jealousy is easily aroused. Otello鈥檚 suspicious are raised when Desdemona appears and appeals to him on Cassio鈥檚 behalf. Otello evasively complains of a headache, and Desdemona offers him a handkerchief, which he tosses to the ground. Emilia, Iago鈥檚 wife and Desdemona鈥檚 maidservant, retrieves it, and Iago seizes the handkerchief from her. Left alone with Otello, Iago fans the flames of the governor鈥檚 suspicions by inventing a story of how Cassio had spoken of Desdemona in his sleep, and how he saw her handkerchief in Cassio鈥檚 hand. Seething with jealousy, Otello is now convinced that his wife is unfaithful. The two men join in an oath to punish Cassio and Desdemona.
ACT III
Iago鈥檚 plot continues to unfold as he tells Otello that he will have further proof of his wife and Cassio鈥檚 betrayal. When, moments later, Desdemona approaches Otello and once again pleads for Cassio, Otello again feigns a headache and insists on seeing the missing handkerchief, which he had once given her as a gift. When she cannot produce it, he insults her as a whore. Alone, he gives in to his desperation and self-pity. Iago returns with Cassio, and Otello hides to eavesdrop on their conversation, which Iago cleverly leads in such a way that Otello is convinced they are discussing Cassio鈥檚 affair with Desdemona. Cassio mentions an unknown admirer鈥檚 gift and produces the telltale handkerchief鈥攊n fact planted by Iago in his room. Otello is shattered and vows that he will kill his wife. Iago promises to have Roderigo deal with Cassio.
A delegation from Venice arrives to recall Otello home and to appoint Cassio as the new governor of Cyprus. At this news, Otello loses control and explodes in a rage, hurling insults at Desdemona in front of the assembled crowd. He orders everyone away and finally collapses in a seizure. As the Cypriots are heard from outside praising Otello as the 鈥淟ion of Venice,鈥 Iago gloats over him, 鈥淏ehold the Lion!鈥
ACT IV
Emilia helps the distraught Desdemona prepare for bed. She has just finished saying her evening prayers when Otello enters and wakes her with a kiss to tell her he is about to kill her. Paralyzed with fear, Desdemona again protests her innocence. Otello coldly strangles her. Emilia runs in with news that Cassio has killed Roderigo. Iago鈥檚 plot is finally revealed and Otello realizes what he has done. Reflecting on his past glory he pulls out a dagger and stabs himself, dying with a final kiss for his wife.
- With thanks to the Metropolitan Opera House, New York.
Broadcast
- Sat 23 Apr 2016 18:00大象传媒 Radio 3