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Mozart's Die Entfuhrung aus dem Serail

Live from the Metropolitan Opera, New York, Mozart's great comic opera Die Entfuhrung aus dem Serail, with Albina Shagimuratova as Konstanze and Paul Appleby as Belmonte.

Mozart: Die Entf眉hrung aus dem Serail

Presented by Mary Jo Heath and commentator Ira Siff

Mozart wrote the Abduction from the Seraglio just after he had moved to Vienna, a city that had been besieged by the Turkish armies less than 100 years before. Turkish setting and the sounds of military bands had become all the rage, and with these influences Mozart set his 'singspiel' for the city's Burgtheater.
Mozart's comic work tells of two sets of European lovers, one noble and the other their servants who try to escape from the seraglio (harem) of Pasha Selim, a Turkish despot. Die Entf眉hrung boasts some of Mozart's most spectacularly virtuosic vocal music, particularly for its brave heroine, Konstanze.
Coloratura soprano Albina Shagimuratova sings the role of Konstanze, with rising star tenor Paul Appleby as her lover Belmonte. The Chorus and Orchestra of the Metropolitan Opera House, New York are conducted by James Levine in this season's final broadcast Live from the Met.

Konstanze ..... Albina Shagimuratova (soprano)
Blondchen ..... Kathleen Kim (soprano)
Belmonte ..... Paul Appleby (tenor)
Pedrillo ..... Brenton Ryan (tenor)
Osmin ..... Hans-Peter K枚nig (bass)
Pasha ..... Matthias von Stegmann (spoken)

The Chorus of the Metropolitan Opera House, New York
The Orchestra of the Metropolitan Opera House, New York
James Levine (conductor).

3 hours

Last on

Sat 7 May 2016 18:00

Synopsis

ACT I

Turkey, the 1700s. Pasha Selim has bought as slaves three Europeans taken prisoner by pirates: Konstanze, a young Spanish lady; Blondchen, her English maid; and Pedrillo, who is the servant of Konstanze鈥檚 fiance虂, Belmonte, and in love with Blondchen. Belmonte has traced the trio to the pasha鈥檚 seaside palace, where Konstanze has become her new master鈥檚 favorite. The pasha has made Pedrillo his gardener and has given Blondchen to Osmin, his palace overseer.

At the palace gate, Belmonte encounters Osmin, who treats him coolly and flies into a rage when Belmonte asks about Pedrillo, Osmin鈥檚 rival. Osmin drives Belmonte away and then rails at Pedrillo when he suggests that they should finally make peace. Belmonte returns and learns from Pedrillo that the pasha has fallen in love with Konstanze but will not force himself on her. Pedrillo will try to arrange a meeting between Konstanze and Belmonte and an escape by boat with Blondchen.

Konstanze returns from a pleasure trip with the pasha. He has been treating her with respect but she cannot forget Belmonte and keeps rejecting his advances. Pedrillo introduces Belmonte to the pasha as a promising young architect and Selim welcomes him. Osmin tries to bar the way as Belmonte and Pedrillo enter the palace, but they force their way past him.

ACT II

In the palace garden, Blondchen explains to Osmin how a European woman should be treated. Konstanze finds Blondchen and laments her sad situation. When the pasha again asks her to marry him, she tells him she would prefer torture, even death, to betraying her fiance虂. Blondchen and Pedrillo discuss the escape plan: they will get Osmin drunk and all four leave on Belmonte鈥檚 ship. Even though Osmin鈥檚 religion forbids him to drink wine, Pedrillo has no difficulty in getting him drunk, leaving the coast clear for the two couples to meet.

ACT III

That night, Belmonte and Pedrillo come to the ladies鈥 window with a ladder. Pedrillo sings a serenade as the signal for escape, but this wakes Osmin, who is not too hungover to realize what is going on. The four are locked up. When brought before the pasha, Belmonte suggests he collect a ransom from his wealthy family, the Lostados. At the mention of this name, the pasha realizes that Belmonte is the son of an old enemy, the man who exiled him from his own country. He decides to repay evil with good, freeing Konstanze and Belmonte, and even Blondchen and Pedrillo. The grateful couples praise their benefactor as they prepare to set sail.

- With thanks to the Metropolitan Opera, New York

Broadcast

  • Sat 7 May 2016 18:00