Mozart's Cosi fan tutte
From the Royal Opera House in Covent Garden, a new production of Mozart's comic opera Cosi fan tutte. With soprano Corinne Waters, mezzo Angela Brower and tenor Daniel Behle.
Presented by Mary King. A recording made last month of Mozart's Cosi fan tutte in a new production by Jan Philipp Gloger, who set this piquant comedy about fidelity, disguise and the true nature of love as theatre within theatre. Young Ferrando and Guglielmo take the bet set by Don Alfonso who believes their lovers, Fiordiligi and Dorabella, are 'like all women' and will not be faithful if better suitors come their way. Semyon Bychkov conducts the orchestra and chorus of the Royal Opera House, Covent Garden, with a cast of young singers mostly making their house debuts. The soprano Corinne Waters is Fiordiligi; the mezzo-soprano Angela Brower, Dorabella; the tenor Daniel Behle, Ferrando and the baritone Alessio Arduini, Guglielmo. Don Alfonso is sung by the baritone Johannes-Martin Kraenzle, while Despina is the soprano Sabina Puertolas.
Fiordiligi ..... Corinne Winters (Soprano)
Dorabella ..... Angela Brower (Mezzo-soprano)
Ferrando ..... Daniel Behle (Tenor)
Guglielmo ..... Alessio Arduini (Baritone)
Don Alfonso ..... Johannes-Martin Kraenzle (Baritone)
Despina ..... Sabina Puertolas (Soprano)
Royal Opera House Orchestra
Royal Opera House Chorus
Semyon Bychkov (Conductor).
Last on
Music Played
-
Wolfgang Amadeus Mozart
Cosi fan Tutte Act I
Singer: CORINNE WINTERS. Singer: Angela Brower. Conductor: Semyon Bychkov. -
Wolfgang Amadeus Mozart
Cosi fan Tutte Act II
Singer: CORINNE WINTERS. Singer: Angela Brower. Conductor: Semyon Bychkov.
Synopsis
Act I
Ferrando and Guglielmo discuss the fidelity of women with Don Alfonso. They claim that their own fiancées, Fiordiligi and Dorabella, are immune to any temptation. Don Alfonso insists that all women are unfaithful, and his two friends demand that he prove it. So Don Alfonso challenges them to a wager. He wants to show them both that even their girlfriends are no exception to the rule. The two of them agree to followDon Alfonso’s instructions for the next 24 hours.
Fiordiligi and Dorabella are waiting for their lovers. But in their place, Don
Alfonso arrives to announce that Guglielmo and Ferrando have been called up for
military duty at short notice. They are just coming back to say their
farewells.
Despina tries to comfort the two women over their loss and urges both Dorabella
and Fiordiligi to find new lovers in the meantime. They are shocked at the
idea.
Ferrando and Guglielmo return, disguised as foreigners. They remain
unrecognized,and now begin to woo the two women. Despina helps them, but their
efforts are in vain. The friends are rejected brusquely, and already begin to
celebrate winning their wager. But they are too soon, as the agreed 24 hours
are not yet over. While Ferrando ponders his love for Dorabella, Despina is
preparing the next steps with Don Alfonso, raising the question as to the true
nature of love.
The two spurned ‘foreigners’ now pretend to commit suicide. They succeed in
impressing Dorabella and Fiordiligi, awakening their pity. The two men are seemingly
saved from death by Despina, now disguised as a healer. The women’s display of
compassion encourages the men to try another attempt at courtship; this
confuses Dorabella and Fiordiligi and they depart, furious.
Fiordiligi and Dorabella are ready to marry their new lovers. Despina pretends to be a notary and issues the marriage contracts. The new couples sign them. Don Alfonso now unexpectedly announces the return of the women’s original fiancés. Guglielmo and Ferrando reveal their true identity. The irritation is considerable; the experiment has succeeded, and nothing is how it was before.
Despina shares her own experiences of love’s variety with the two women. Dorabell aand Fiordiligi decide to engage with the two men, just for the fun of it. Each already has her own favourite – namely the fiancé of the other. A crisscrossing game ensues.Dorabella accepts Guglielmo’s attempts at courtship, while Fiordiligi struggles with conflicting feelings and desperately tries to find a way to preserve her honour and innocence. Guglielmo reports to Ferrando his experiences with Dorabella. Despite her betrayal, Ferrando still feels deeply committed to her, though she meanwhile seems to have taken on Despina’s views wholesale. Ultimately, the despairing Fiordiligi also follows her on this path, becoming Ferrando’s lover. Don Alfonso sees his beliefs confirmed: ‘Così fan tutte – that’s how all are!’.
Katharina JohnTranslation by Chris Walton
Broadcast
- Sat 12 Nov 2016 18:30´óÏó´«Ã½ Radio 3