Part 1
Exploring film scores in which composers rethought the nature of the genre, Matthew Sweet and Neil Brand focus on music for films made during the golden age of cinema.
Matthew Sweet and Neil Brand look back on the Golden Age of the cinema in the first of two programmes charting scores in which composers rethought the nature of film music.
In today's programme music by Camille Saint-Sa毛ns; Eric Satie; Max Steiner; Kerry Mills and Hugh Martin; Dmitri Tiomkin; Leith Stevens; Bernard Herrmann and Ennio Morricone.
Last on
Music Played
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Erik Satie
"Clair's Entr'acte" (1924) - Relache-Entr'acte to the ballet
Orchestra: Orchestre symphonique et lyrique de Nancy. Conductor: J茅r么me Kaltenbach.- NAXOS.
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Max Steiner
"King Kong" (1933), Main Title - It was Beauty Killed The Beast
Conductor: William T. Stromberg. Orchestra: The Moscow Symphony Orchestra.- NAXOS.
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Roger Edens
"Meet Me in St. Louis" (1944) - Main Titles
Composer: Kerry Mills. Composer: Andrew B. Sterling. Composer: Hugh Martin. Composer: Ralph Blane. Music Arranger: Conrad Salinger. Singer: Joan Carroll. Singer: Harry Davenport. Singer: Judy Garland. Orchestra: MGM Studio Orchestra and Chorus. Conductor: Georgie Stoll.- Premier Soundtracks.
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Dimitri Tiomkin
"The Alamo" (1960) - Overture & Main Title
Orchestra: Dmitri Tiomkin Orchestra.- Var猫se Sarabande.
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Leith Stevens
"The Wild One" (1953) - The Wild One
Orchestra: Shorty Rogers and His Orchestra.- Bear Family Records.
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Bernard Herrmann
"Jane Eyre" (1943) - Prelude & The Fire
Orchestra: Slovak Radio Symphony Orchestra/Adriano.- NAXOS.
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Ennio Morricone
"The Bird with the Crystal Plumange" (1970) - Piume Di Cristolo
Orchestra: Studio Orchestra.- CINEVOX.
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Ennio Morricone
"The Good The Bad and The Ugly" (1966) - The Ecstasy of Gold
Orchestra: Studio orchestra and conductor.- EMI-Manhattan Records.
Broadcast
- Christmas Eve 2016 15:00大象传媒 Radio 3
Moon River: The story of the 1962 Oscars Best Song winner
Podcast
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Sound of Cinema
Matthew Sweet's weekly look at music for the screen