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Tchaikovsky's Eugene Onegin

Live from the Metropolitan Opera in New York, a performance of Tchaikovsky's Pushkin-based Eugene Onegin. With a cast including soprano Anna Netrebko and baritone Peter Mattei.

Tonight's Live from the Met is Tchaikovsky's Pushkin-based Eugene Onegin. When Tatiana is introduced to the sophisticated friend of her sister's fianc茅e, Eugene Onegin, she falls instantly in love with him. In her girlish naivety, she spends the night writing him a passionate letter, only to be coldly rejected by him. Years later, the happily married Tatiana meets Onegin again. This time their love is mutual, leading to disastrous consequences. Anna Netrebko sings Tatiana, with Peter Mattei as the fateful Onegin.

Presented by Mary Jo Heath and Ira Siff.

Eugene Onegin ..... Peter Mattei (baritone)
Tatiana ..... Anna Netrebko (soprano)
Lenski ..... Alexey Dolgov (tenor)
Olga ..... Elena Maximova (contralto)
Prince Gremin ..... Stefan Kocan (bass)
Madame Larina ..... Elena Zaremba (mezzo-soprano)
Fippyevna ..... Larissa Diadkova (mezzo-soprano)
Monsieur Triquet ..... Tony Stevenson (tenor)
Captain ..... David Crawford (bass)
Zaretski ..... Richard Bernstein (bass)
Offstage tenor ..... David Lowe (tenor)
New York Metropolitan Opera Chorus
New York Metropolitan Opera Orchestra
Robin Ticciati (conductor).

4 hours

Last on

Sat 22 Apr 2017 18:00

Synopsis

ACT I

Autumn in the country. On the Larin estate, Madame Larina reflects upon the days before she married, when she was courted by her husband but loved another. She is now a widow with two daughters: Tatiana and Olga. While Tatiana spends her time reading novels, with whose heroines she closely identifies, Olga is being courted by their neighbor, the poet Lenski. He arrives unexpectedly, bringing with him a new visitor, Eugene Onegin, with whom Tatiana falls in love.

In her bedroom, Tatiana asks her nurse Filippyevna to tell her of her first love and marriage. Tatiana stays up all night writing a passionate letter to Onegin and persuades Filippyevna to have her grandson deliver it in the morning.

Tatiana waits for Onegin鈥檚 response in the garden. He admits that he was touched by her declaration but explains that he cannot accept it and can only offer her friendship. He advises her to control her emotions, lest another man take advantage of her innocence.

ACT II

January. The local community has been invited to the Larin estate to celebrate Tatiana鈥檚 name day. Onegin has reluctantly agreed to accompany Lenski to what he mistakenly believes will be an intimate family celebration. Annoyed to find himself trapped at an enormous party and bored by the occasion, Onegin takes his revenge on Lenski by flirting and dancing with Olga. Lenski鈥檚 jealousy is aroused to such a height that he challenges Onegin to a duel. The party breaks up.

Before the duel, Lenski meditates upon his poetry, upon his love for Olga, and upon death. Lenski鈥檚 second finds Onegin鈥檚 late arrival and his choice of a second insulting. Although both Lenski and Onegin are full of remorse, neither stops the duel. Lenski is killed.

ACT III

St. Petersburg, several years later. Having travelled abroad since the duel, Onegin has returned to the capital. At a ball, Prince Gremin introduces his young wife. Onegin is astonished to recognize her as Tatiana and to realize that he is in love with her.

Onegin has sent a letter to Tatiana. He arrives at the Gremin palace and begs her to run away with him. Tatiana admits that she still loves him, but that she has made her decision and will not leave her husband. Onegin is left desperate.

Reprinted courtesy of English National Opera

- See more at: http://www.metopera.org/Discover/Synposes-Archive/Eugene-Onegin/#sthash.EPocYOAF.dpuf

Broadcast

  • Sat 22 Apr 2017 18:00