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Working for the Jesuits

Donald Macleod focuses on Charpentier's decade working for the Jesuits, whose great wealth supported the creation of some ambitious large-scale dramatic works and the Te Deum in D.

Donald Macleod explores Marc-Antoine Charpentier's decade working for the Jesuits, whose enormous wealth supported the creation of some ambitious large scale dramatic works, a raft of sacred works, among them quite possibly the much loved Te Deum in D major.

It's just a case of bad timing for Marc-Antoine Charpentier that he happened to be born a decade or so after Jean-Baptiste Lully. The manipulative king's favourite held a monopoly at the Sun King's court and in the theatres. Even after his death in 1687, Charpentier had to contend with back-biting from Lully's vociferous supporters. Happily Charpentier also possessed a big reputation and a band of loyal and well-to-do supporters. In a career spanning 35 years, he enjoyed a succession of plum jobs, writing in every kind of genre for some of the most influential patrons and establishments in Paris. Indeed, perhaps Lully's restrictive practices were inadvertently his making, affording Charpentier the kind of artistic freedom to write exactly what he wanted.

In 1688 Charpentier accepted the position of music master of the church of the Jesuit College. A generous salary and resources encouraged Charpentier to stay there for the next ten years, producing music for all occasions, pretty much on demand. Donald Macleod presents the poignant centrepiece of Charpentier's ground-breaking new style of music drama, David and Jonathan, and a complete performance of his brilliant Te Deum in the buoyant key of D.

David et Jonathas (excerpts):
Marche triomphante from Act 1; Prelude and scenes from Act 4
G茅rard Lesne (countertenor,) David
Monique Zanetti (soprano), Jonathan
Les Arts Florissants
William Christie, director

Third Tenebrae Lesson for Good Friday, H 137
Kai Wessel, countertenor
Christoph Pr茅gardien, tenor
Peter Kooy, bass
Dominique Visse, countertenor
Harry van Berne, tenor
Klaus Mertens, bass
The Amsterdam Baroque Orchestra
Ton Koopman, conductor

Te Deum, H.146
Annick Massus, soprano
Magdalena Ko啪en谩, mezzo-soprano
Eric Huchet, high tenor
Patrick Henckens, tenor
Russell Smyth, baritone
Jean-Louis Bindi, bass
Choir of Les Musiciens du Louvre
Les Musiciens du Louvre
Marc Minkowski, director.

1 hour

Music Played

  • Marc鈥怉ntoine Charpentier

    David Et Jonathas - Marche Triomphante

    Ensemble: Les Arts Florissants. Director: William Christie.
    • HARMONIA MUNDI : HMC-901289.90.
    • HARMONIA MUNDI.
    • 1.
  • Marc鈥怉ntoine Charpentier

    David Et Jonathas - Act IV - Prelude and Scenes 1, 2 and 3

    Ensemble: Les Arts Florissants. Director: William Christie.
    • HARMONIA MUNDI : HMC-901289.90.
    • HARMONIA MUNDI.
    • 1.
  • Marc鈥怉ntoine Charpentier

    Tenebrae Lesson for Friday H 137

    Singer: Kai Wessel. Singer: Christoph Pr茅gardien. Singer: Peter Kooij. Singer: Dominique Visse. Singer: Harry Van Berne. Singer: Klaus Mertens. Orchestra: Amsterdam Baroque Orchestra. Conductor: Ton Koopman.
    • Apex: 2564617442.
    • Apex.
    • 3.
  • Marc鈥怉ntoine Charpentier

    Te Deum H.146

    Singer: Magdalena Ko啪en谩. Singer: 脡ric Huchet. Singer: Patrick Henckens. Singer: Russell Smythe. Singer: Jean-Louis Bindi. Choir: Musiciens du Louvre Choir. Ensemble: Les Musiciens du Louvre. Conductor: Marc Minkowski.
    • Archiv: DG 453 479-2.
    • Archiv.
    • 1.

Broadcasts

  • Thu 6 Jul 2017 12:00
  • Thu 6 Jul 2017 18:30

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