Orpheus Britannicus
From catches and ballads to a collection of lessons, Donald Macleod takes a look at how the emergence of publishing was crucial to the growing popularity of Henry Purcell's music.
´óÏó´«Ã½ Radio 3 explores the music of Henry Purcell, the composer who changed the face of English music at the end of the seventeenth century. As a royal composer, Purcell provided music for important state occasions, for the Chapel Royal and for Westminster Abbey, but in this programme presenter Donald Macleod explores a different side to the composer. After a rehearsal or concert, Purcell and his fellow musicians would adjourn to The Two Golden Balls pub in Bow Street, sharing a bowl of brandy punch and singing some of the lewd catches and ballads the composer wrote for such occasions. As Purcell's fame grew due to his royal connections, these catches and ballads as well as sacred songs and lessons for budding harpsichordists, were published by John Playford from his shop in the porch of Temple Church. And even though he was paid by the Chapel Royal as well as his post as organist at Westminster Abbey, publishing songs was a welcome addition to his income. Macleod also explores some of the other ways Purcell made extra money on the side, from adjudicating the so-called 'organ wars' to ticket-touting for gallery seats in William and Mary's coronation.
Henry Purcell: I gave her Cakes and I gave her Ale
The Merry Companions
Henry Purcell: A Suite of Lessons, z665
Robert Woolley (harpsichord)
Henry Purcell: Voluntary in D minor, z718
Davitt Moroney (organ)
Henry Purcell: Praise the Lord, O Jerusalem
Choir of Christ Church Cathedral, Oxford, The English Concert, Francis Grier (organ), Simon Preston (conductor)
Henry Purcell: My Lady's Coachman John; As Roger last night to Jenny lay close; Come, Come, Let us Drink
The Merry Companions, The Baltimore Companions
Henry Purcell: Music for a While and Sweeter than Roses
Andreas Scholl (countertenor), Accademia Bizantina, Stefano Montanari (conductor)
Henry Purcell: Incidental Music for Abdelazer
The Parley of Instruments, Peter Holman (director)
Henry Purcell: A Pastoral Elegy on the Death of Mr John Playford
Susan Gritton (soprano), Michael George (bass), The King's Consort.
Last on
Music Played
-
Henry Purcell
I gave her cakes and I gave her ale Z.256
Ensemble: The Merry Companions.- DORIAN : DOR-90155.
- DORIAN.
- 3.
-
Henry Purcell
Suite in C major Z.665
Performer: Robert Woolley.- SAGA : SCD-9009/10.
- SAGA.
-
Henry Purcell
Voluntary in D minor Z.718
Performer: Davitt Moroney.- ARCANA: A10ARC.
- ARCANA.
- 4.
-
Henry Purcell
Praise the Lord, O Jerusalem Z.46
Performer: The English Concert. Performer: Christ Church Cathedral Oxford Choir. Conductor: Simon Preston.- ARCHIV : 427-124.
- ARCHIV.
-
Henry Purcell
My lady's coachman, John Z.260
Ensemble: The Merry Companions.- DORIAN : DOR-90155.
- DORIAN.
- 13.
-
Henry Purcell
As Roger Last Night To Young Jenny Lay Close Z242
Performer: Baltimore Companions.- DORIAN : DOR-90155.
- DORIAN.
- 21.
-
Henry Purcell
Music for a While
Performer: Stefano Montanari. Singer: Andreas Scholl. Ensemble: Accademia Bizantina.- DECCA : 478-226 2.
- DECCA.
- 13.
-
Henry Purcell
Sweeter than roses
Singer: Andreas Scholl. Ensemble: Accademia Bizantina. Conductor: Stefano Montanari.- Decca : 4782262.
- Decca.
- 9.
-
Henry Purcell
Abdelazer, or The Moor's revenge Z.570
Orchestra: Parley of Instruments. Director: Peter Holman.- Hyperion : CDA66212.
- Hyperion.
- 1.
-
Henry Purcell
A Pastoral Elegy on the Death of Mr John Playford
Singer: Susan Gritton. Singer: George Michael. Ensemble: King's Consort.- HYPERION : CDA-66720.
- HYPERION.
- 1.
Broadcasts
- Thu 21 Sep 2017 12:00´óÏó´«Ã½ Radio 3
- Thu 21 Sep 2017 18:00´óÏó´«Ã½ Radio 3
- Thu 30 Aug 2018 12:00´óÏó´«Ã½ Radio 3
Vaughan Williams Today
Beethoven Unleashed – the box set
What was really wrong with Beethoven?
Composers A to Z
Who knew? Five eye-opening stories from Composer of the Week
Five reasons why we love Parry's Jerusalem
What is the strange power of Jerusalem which makes strong men weep?
A man out of time – why Parry's music and ideas were at odds with his image...
The composer of Jerusalem was very far from the conservative figure his image suggests.
Composer Help Page
Find resources and contacts for composers from within the classical music industry.