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Colin Matthews and Debussy

Donald Macleod explores the influence of Debussy and Beethoven upon Colin Matthews.

Donald Macleod explores the influence of Debussy and Beethoven upon Colin Matthews

Composer of the Week explores the life and music of contemporary composer Colin Matthews, through the lens of being inspired by composers and music of the past. As part of ´óÏó´«Ã½ Radio 3's New Year, New Music season, Colin Matthews joins Donald Macleod in studio to discuss the influences of past music upon his own works. Although he doesn't see himself as part of any musical school or tradition, he does acknowledge that for him the most important period in musical history is the first two decades of the twentieth century, and that the likes of Schoenberg, Berg, Debussy, Stravinsky, Mahler and Britten have all had an impact upon his own music.

From a young age when Colin Matthews learned the piano, he had become familiar with the music of Debussy, in particular the preludes. Matthews had always heard them orchestrally, so when Sir Mark Elder approached him for music to perform with the Halle orchestra, Matthews turned to orchestrating Debussy's preludes. Over nearly a decade he orchestrated the complete set, and added his own Debussy influenced postlude, Monsieur Croche.

Beethoven has also long been an influence upon composer Colin Matthews, in particular the late works including piano sonatas and quartets. Matthews feels that these works demonstrate extraordinary developments in music, and it's not something he could ever aspire to emulate. Riccardo Chailly commissioned a work from Matthews to preface a performance of Beethoven's Symphony No 8. The result was his Grand Barcarolle, although Matthews feels this work owes more to the music of Mahler, than it does to Beethoven.

Crossing the Alps
±á²¹±ô±ôé Youth Choir
Paul Janes, organ
Richard Wilberforce, conductor

Broken Symmetry
London Sinfonietta
Oliver Knussen, conductor

Claude Debussy Arr. Colin Matthews
Ce qu'a vu le vent d'ouest (Preludes Book 1 No 7)
±á²¹±ô±ôé
Mark Elder, conductor

Colin Matthews
Postlude: Monsieur Croche
±á²¹±ô±ôé
Mark Elder, conductor

Grand Barcarolle
´óÏó´«Ã½ Philharmonic
Juanjo Mena, conductor

Producer Luke Whitlock.

1 hour

Music Played

  • Colin Matthews

    Crossing the Alps

    Performer: Paul Janes. Choir: ±á²¹±ô±ôé Youth Choir.
    • Colin Matthews: No Man's Land, Crossing The Alps & Aftertones.
    • Halle.
    • 14.
  • Colin Matthews

    Broken symmetry

    Orchestra: London Sinfonietta. Conductor: Oliver Knussen.
    • British Music Collection - Colin Matthews.
    • Decca.
    • 17.
  • Claude Debussy

    Ce qu'a vu le vent d'Ouest Preludes Book 1 No 7

    Orchestra: ±á²¹±ô±ôé. Conductor: Sir Mark Elder.
    • Debussy La Mer.
    • HALLE.
    • 5.
  • Colin Matthews

    Postlude - Monsieur Croche

    Orchestra: ±á²¹±ô±ôé. Conductor: Sir Mark Elder.
    • Colin Matthews The Debussy Preludes (2-CD).
    • HALLE.
    • 13.
  • Colin Matthews

    Grand Barcarolle

    Orchestra: ´óÏó´«Ã½ Philharmonic. Conductor: Juanjo Mena.
  • Jean Sibelius

    Hidden Connection Op 86 no3

    Performer: Anne Sofie von Otter. Ensemble: Finnish Radio Symphony Orchestra.

Broadcast

  • Thu 4 Jan 2018 12:00

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