Angela Allen - The Continuity 'Girls'
Matthew talks film music with Angela Allen, the hugely prolific English script and continuity supervisor of nearly a hundred movies, including The African Queen, The Dirty Dozen and Murder on the Orient Express.
Last on
Music Played
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Anton Karas
The Third Man (1949): Main Title
Performer: Anton Karas.- The Third Man - Soundtrack.
- The Sound Track Factory.
- 2.
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Allan Gray
The African Queen (1952): Queen's and Love Themes
Orchestra: The City of Prague Philharmonic Orchestra. Conductor: Gavin Sutherland.- British By Arrangement.
- White Line.
- 10.
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Georges Auric
Moulin Rouge (1952): Suite
Orchestra: 大象传媒 Philharmonic. Conductor: Rumon Gamba. Singer: Mary Carewe.- The Film Music of Georges Auric.
- Chandos Movies.
- 17.
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Philip Sainton
Moby Dick (1956): Moby Dick Appears / Pequod's Departure / Moby Dick
Orchestra: The Moscow Symphony Orchestra. Conductor: William T.Stromberg.- Philip Sainton: Moby Dick - Complete 1956 Film Score.
- Naxos.
- 12.
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Jerry Goldsmith
Freud (1962): Charcot's Show
Orchestra: Studio Orchestra. Conductor: Joseph Gershenson.- Freud - Original Motion Picture Soundtrack.
- VARESE SARABANDE.
- 3.
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Richard Rodney Bennett
Murder on the Orient Express (1974): Entr'acte
Orchestra: Studio Orchestra. Conductor: Marcus Dodds.- Poirot at the Movies - Music from the Agatha Chrisie Thrillers.
- Cloud Nine Records.
- 6.
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Maurice Jarre
The Man Who Would Be King (1975): Sikandergul
Orchestra: National Philharmonic Orchestra. Conductor: Maurice Jarre.- The Man Who Would Be King - Original Soundtrack Recording.
- BAY CITIES.
- 2.
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Alex North
The Misfits (1961): Main Theme / Rendezvous
Orchestra: Studio Orchestra. Conductor: Alex North.- The Misfits Soundtrack.
- Rykodisc.
- 1.
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Andrew Lloyd Webber
Jesus Christ Superstar (1973): The Crucifixion
Orchestra: Studio Orchestra. Conductor: Andr茅 Previn. Singer: Ted Neeley.- Jesus Christ Superstar (The Original Motion Picture Sound Track Album).
- MCA Records.
- 11.
Broadcast
- Sat 24 Feb 2018 15:00大象传媒 Radio 3
Moon River: The story of the 1962 Oscars Best Song winner
Podcast
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Sound of Cinema
Matthew Sweet's weekly look at music for the screen