Hear how instruments sing, with cellist Matthew Barley
Cellist Matthew Barley opens up a colourful selection of classical music from the inside - revealing familiar and unfamiliar works in a new light.
Matthew Barley puts down his cello for a couple of hours and wonders just how Stravinsky brings a Russian character to his ballet Petrushka. He also analyses the mind-boggling technique of a classically trained Cuban jazz pianist, and compares the way a singer has to control their instrument that is their voice - in much the same way as a cellist does. Matthew finds a new way to listen to Barber's famous Adagio and introduces us to an endearing little piano piece by John Cage.
At 2 o'clock Matthew introduces his Must Listen piece - a rarely performed, beautiful work in a recording in which, according to Matthew, cellist Yo Yo Ma plays "at his very best".
A series in which each week a musician reveals a selection of music - from the inside.
A Tandem Production for 大象传媒 Radio 3.
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Music Played
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Pyotr Ilyich Tchaikovsky
Six Pieces Op.51 for piano
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Igor Stravinsky
Petrushka
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Morten Lauridsen
O Magnum Mysterium for chorus
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Ludwig van Beethoven
Symphony no. 7 in A major
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Jean鈥怭hilippe Rameau
Castor et Pollux - tragedie en musique vers. original
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Leos Jan谩膷ek
Sinfonietta
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John Cage
Sonatas and interludes for prepared piano
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Samuel Barber
Adagio for string orchestra, arr. from 2nd mvt of String Quartet
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Sergey Prokofiev
Sonata no. 7 in B flat major Op.83 for piano
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Joseph Haydn
The Creation
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Arvo P盲rt
De profundis clamavi (Psalm 130) for vocal ensemble, organ and percussion
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Johann Sebastian Bach
Suite no. 6 in D major BWV.1012 for cello solo
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Maurice Ravel
Ma mere l'oye - suite vers. for orchestra
Broadcasts
- Sat 5 May 2018 13:00大象传媒 Radio 3
- Sat 8 Dec 2018 13:00大象传媒 Radio 3