Main content

Can music be gendered?

Can you hear 'masculine' and 'feminine' in music? And how have these concepts had an impact on music and how people have heard it over the centuries? With Tom Service.

Available now

30 minutes

Last on

Sun 10 Mar 2019 17:00
大象传媒 Radio 3

More episodes

Previous

The Key to Keys

Next

The Double Bass

See all episodes from The Listening Service

Music Played

  • Alice Mary Smith

    Symphony in A minor

    Performer: London Mozart Players. Performer: Howard Shelley.
    • Chandos.

  • Gra偶yna Bacewicz

    Concerto No.1 for Violin and Orchestra - 3rd movement

    Performer: Joanna Kurkowicz. Performer: Polish Radio Symphony Orchestra. Performer: Lukasz Borowicz.
    • Chandos.

  • Vittoria Aleotti

    Hor che la vaga Aurora (Ghirlanda de Madrigali)

    Performer: La Villanella Basel.
    • Ramee.

  • Ethel Smyth

    Overture 聳 The Wreckers

    Performer: Royal Scottish National Orchestra. Performer: Alexander Gibson.
    • EMI.

  • Joan Trimble

    Buttermilk Point for 2 pianos

    Performer: Una Hunt. Performer: Roy Holmes.
    • Naxos.

  • Anna Meredith

    Nautilus

    Performer: Anna Meredith.
    • Moshi Moshi Records.

  • Hildegard von Bingen

    Canticles of Ecstasy - Quia ergo femina mortem instruxit

    Performer: Ensemble for medieval music.
    • Deutsche Harmonia Mundi.

  • C茅cile Chaminade

    L' Ondine [The Water sprite] Op.101

    Performer: Peter Jacobs.
    • Helios.

  • Ethel Smyth

    Violin Sonata in A Minor, Op. 7 - Finale

    Performer: Tasmin Little. Performer: John Lenehan.
    • Chandos.

  • Ethel Smyth

    Mass in D - Credo

    Performer: Orchestra and Chorus of the Plymouth Music series. Performer: Philip Brunelle.
    • EMI.

  • Wolfgang Amadeus Mozart

    Symphony no. 41 (K.551) in C major "Jupiter" - 1st movement

    Performer: Scottish Chamber Orchestra. Performer: Charles Mackerras.
    • Linn.

  • Carl Davis

    Pride and Prejudice

    Performer: Melvyn Tan. Performer: Studio Orchestra. Performer: Carl Davis.
    • EMI.

  • Hector Berlioz

    Marche hongroise (Rakoczy march) 聳 Le damnation de Faust

    Performer: Saint Louis Symphony Orchestra. Performer: Leonard Slatkin.
    • RCA.

  • Laura Bowler

    Femininity

    Performer: Manchester Camerata.
    • Private recording.

  • Giuseppe Verdi

    Prelude to Act 1 聳 La Traviata

    Performer: La Scala Philharmonic. Performer: Riccardo Chailly.
    • Decca.

  • Richard Strauss

    Hab' mir's gelobt, ihn lieb ... 聳 Der Rosenkavalier

    Performer: Dianna Damrau. Performer: Adrianne Pieczonka. Performer: El墨na Garan膷a. Performer: Staatskapelle Dresden. Performer: Fabio Luisi.
    • DG.

Broadcast

  • Sun 10 Mar 2019 17:00
    大象传媒 Radio 3

Why do we call it 'classical' music?

Tom Service poses a very simple question (with a not-so-simple answer).

Six of the world's most extreme voices

From babies to Mongolian throat singers: whose voice is the most extreme of all?

How did the number 12 revolutionise music?

How did the number 12 revolutionise music?

How Schoenberg opened a new cosmos for composers and listeners to explore.

Why are we all addicted to bass?

Why are we all addicted to bass?

Bass is everywhere, but why do we enjoy it? Join Tom Service on a journey of discovery.

Watch the animations

Join Tom Service on a musical journey through beginnings, repetition and bass lines.

When does noise become music?

We like to think we can separate 鈥渘oise鈥� from 鈥渕usic鈥�, but is it that simple?

Podcast