大象传媒

Nicholas Kenyon tells the story of classical music鈥檚 greatest revolution.

Fifty years ago a revolution began in classical music. Back then, there was little doubt how to play a Mozart symphony or a Bach passion 鈥� it meant big symphonic forces, heavy textures, slow speeds and modern instruments. But then along came period performance: a new generation of musicians researched and revived period instruments, performance styles and forgotten composers. With lighter forces, faster speeds and new tools, they declared war on the interventionist musical culture of the mid-19th century. To start with, they were largely dismissed as eccentrics - Neville Marriner called them "the open-toed-sandals and brown-bread set鈥� 鈥� and academics unable to play in tune. But throughout the 1970s and 80s they multiplied and gathered force. Along with the advent of the CD, their newfound repertory and fascinating new-old sound gave a boost to the classical recording industry. They overturned the way classical music was listened to and performed, making household names of musicians whose scholarly credentials became almost as important as their performing flair.

Nicholas Kenyon tells the story of that revolution, from the earliest pioneers to the global superstars of today. Across the series, he鈥檒l uncover the musical detective-work which went on in universities and rehearsal rooms, reliving the incredible vitality of the times through landmark recordings which took the musical world by storm.

In today鈥檚 episode, Nicholas digs into where this historical impulse came from. Reviving the music of the past has long been part of the narrative for composers and certain connoisseurs, but the idea of 鈥榗lothing music in its own fur and feathers鈥� really became public after the war. We鈥檒l hear about the first stirrings of the movement, and the iconic soloists, ensembles and innovators that made it happen. Why did we want to reimagine the past?

Handel: Solomon (Arrival of the Queen of Sheba)
The English Concert
Trevor Pinnock, conductor

Handel, arr. Beecham: Faithful Shepherd Suite (Overture)
Royal Philharmonic Orchestra
Thomas Beecham, conductor

Monteverdi: Chiome d鈥檕ro
Hugues Cu茅nod, tenor
Paul Derenne, tenor
Nadia Boulanger, piano

Scarlatti: Keyboard Sonata in G major, K 124
Wanda Landowska, piano

J. S. Bach: Brandenburg Concerto No 3 (3rd movement)
Busch Chamber Players
Adolf Busch, director

Gluck: Orfeo ed Euridice: Che faro
Kathleen Ferrier, alto
Orchestra of Netherlands Opera
Charles Bruck, conductor

Purcell: Music for a while
Alfred Deller, countertenor
Walter Bergman, harpsichord

Dowland: Fine knacks for ladies
Peter Pears, tenor
Julian Bream, lute

J. C. Bach: Quintet in D, Op 11 No 6 (1st movement)
Concentus Musicus Wien
Nikolaus Harnoncourt, conductor

Corelli: Sonata in B flat major, Op 5 No 11 (2nd movement)
Frans Bruggen, recorder
Anner Bylsma, cello
Gustav Leonhardt, harpsichord

Victoria: O vos omnes (Tenebrae Responsories)
Westminster Cathedral Choir
George Malcolm, conductor

Anon: The Play of Daniel (The Vessels Restored - Regis vasa referents)
Dufay Collective
Williams Lyons, director

Susato: Basse danse Bergeret sans Roch
Early Music Consort
David Munrow, director

Produced in Cardiff by Amelia Parker

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