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Mozart - Cos矛 fan tutte

Two military men happily submit to test their lovers' fidelity to determine whether or not, as the title of Mozart's comedy asserts, They're All Like That.

When Don Alfonso overhears two military men, Ferrando and Guglielmo, boasting of their respective lovers' (sisters Fiordiligi and Dorabella) rock-solid fidelitly, he easily persuades them to put it to the test. And guess what? It doesn't take long after the two soldiers have apparently gone off to war before two Albanian brothers appear (Ferrando and Guglielmo, of course) who each successfully seduces each other's girlfriend.

As a plot it's not up to much. But the opera, whose cynically misogynist title translates as 'They're All Like That', has survived because it contains some of Mozart's greatest music, including unforgettable solo arias and ensembles wrapped up in some in wonderful orchestration. Mozart's achievement is to make us believe in these otherwise two-dimensional characters as flesh-and-blood human beings, subject to genuine and painful emotions.

As ever, The Met fields a starry international cast. Today's performance from the New York Metropolitan Opera House is presented by Mary Jo Heath and Ira Siff.

Mozart: Cos矛 fan tutte

Fiordiligi.....Nicole Car (soprano)
Dorabella.....Serena Malfi (soprano)
Despina.....Heidi Stober (mezzo-soprano)
Ferrando.....Ben Bliss (tenor)
Guglielmo鈥..Luca Pisaroni (bass-baritone)
Don Alfonso鈥..Gerald Finley (baritone)
New York Metropolitan Opera Orchestra
Harry Bicket (conductor)

3 hours, 29 minutes

Music Played

  • Fr茅d茅ric Chopin

    Introduction and polonaise, Op 3

    Performer: Natalie Clein. Performer: Charles Owen.
    • EMI.

Synopsis

ACT I

The United States, during the 1950s.听Two officers, Ferrando and Guglielmo, are taking a vacation with their fianc茅es, sisters Dorabella and Fiordiligi, at the Skyline Motel near the Pleasure Garden. At a nightclub, the boys鈥 new friend, the cynical Don Alfonso, tells them of his doubts in the fidelity of women. He offers them a wager: He will prove that their lovers will be unfaithful, like all other women. The boys defend their fianc茅es and accept the challenge.

The next morning, Fiordiligi and Dorabella daydream about their lovers while strolling along the boardwalk. Alfonso arrives and explains that the boys have been called away to war. After saying goodbye to their lovers, the girls are inconsolable.

Despina, a maid at the motel, complains about how much work she has to do. When the sisters return heartbroken, she encourages the girls to enjoy their freedom and find new lovers, but Fiordiligi and Dorabella cannot fathom such a betrayal.

Don Alfonso bribes Despina to help him introduce the sisters to two 鈥渋nfatuated young friends鈥 of his, who are in fact Guglielmo and Ferrando in disguise. When the new suitors make advances toward the sisters, the girls are outraged and refuse to listen to any declarations of love. The men are confident of winning the bet.

Alfonso has another plan: The young men pretend to take poison in order to gain the sisters鈥 sympathy. Despina and Alfonso go off to fetch help, leaving the two girls to care for the strangers. Despina reappears disguised as 鈥淒octor Magnetico鈥 and pretends to heal the boys with her famous vibration machine. When Ferrando and Guglielmo request kisses in order to fully recover, the sisters again reject them, but it is clear that they鈥檙e beginning to show interest in the strangers.

ACT II

Despina chastises Fiordiligi and Dorabella for not knowing how to deal with men. The sisters decide that perhaps Despina is right鈥攖here can be no harm in amusing themselves with the handsome strangers. They choose which man they鈥檇 like, each picking the other鈥檚 fianc茅e. Don Alfonso brings the girls into the Pleasure Garden to meet the boys again.

In the fairground, Dorabella responds quickly to the disguised Guglielmo鈥檚 advances. She accepts a gift and relinquishes her locket with Ferrando鈥檚 portrait.

Fiordiligi, however, refuses to yield to Ferrando, although she admits to herself that her heart has been won.

Ferrando is certain that they have won the wager. Guglielmo is happy to hear that Fiordiligi has been faithful to him, but when he shows his friend the portrait he took from Dorabella, Ferrando is furious. Gugliemo asks Alfonso to pay him his half of the winnings, but Alfonso reminds him that the day is not yet over.

Fiordiligi condemns Dorabella for her betrayal and resolves to leave the Pleasure Garden and join her beloved at the front.

Ferrando suddenly appears and declares his love for Fiordiligi with renewed passion. While Guglielmo watches helplessly, she finally accepts. Guglielmo and Ferrando are distraught at their fianc茅es鈥 infidelity. Don Alfonso encourages the boys to forgive the women and marry them. After all, their behavior is only human nature.

The sisters have agreed to marry the young strangers, and Despina, impersonating a lawyer, does the honors. Alfonso suddenly announces that Guglielmo and Ferrando have returned from battle. In panic, the sisters hide their intended husbands, who return as their real selves and are horrified to discover the marriage contracts. Finally, the boys reveal the entire charade, and Fiordiligi and Dorabella ask forgiveness. Alfonso bids the lovers learn their lesson.

Broadcast

  • Sat 7 Mar 2020 18:30

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