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Donald Macleod continues his survey of two larger than life characters of the French baroque, Henri Desmarets and Joseph Bodin de Boismortier.

Born a generation apart, Boismortier and Desmarets are perhaps lesser-known figures of the French baroque, but together they provide a fascinating picture of life and music-making in the reigns of the Sun King and Louis XV after him.

Boismortier’s success came from what seems to be a natural ability to keep his finger on the pulse: his music followed all the latest trends and styles. He made a small fortune supplying music to the amateur market. They were works that fall cleverly under the fingers, and he advanced his profits by publishing them for any number of different combinations of instruments. That’s not to say he didn’t dip his toe into deeper waters: he wrote cantatas, motets and stage works, of which the comic opera about Don Quixote is probably the best known. After a golden career in 1753 at the age of 63, Boismortier retired to enjoy life on a beautiful estate 45 minutes outside Paris.

That kind of material comfort was not to be Henri Desmarets’s destiny. Born in 1661, he started out as a page at the Sun King’s court. What was shaping up to be a promising career fell off the tracks after he eloped with one of his pupils. Her furious father got an order for his arrest, arranged for him to be attacked in the street, and dragged him through the courts. The furore finally ended when the couple fled into exile. In his absence, Desmarets was condemned to death. He eventually settled at the Court of Lorraine. There’s little doubt his fall from grace had a detrimental effect on his reputation. His operas and masses show him to be a talented and innovative composer. He was one of the very first composers known to have written for double choir and orchestra.

In part two, the prospect of a court appointment improves Desmarets’s prospects and the free spirited Boismortier paves his own way to being a society composer in Paris

Desmarets: La Diane de Fontainebleau – Marche
La Simphonie du Marais
Hugo Reyne, director

Desmarets: La Diane de Fontainebleau (excerpt)
Françoise Masset, soprano
La Simphonie du Marais
Hugo Reyne, director

Boismortier: Bassoon Concerto, Op 21
Laurent le Chenadec, bassoon
Le Concert Spirituel
Hervé Niquet, director

Boismortier: Les quatre saisons, Op. 5
Cantata no 4: Hyver: (excerpt)
Valerie Gabail, soprano
François Nicolet, flute
Les Festes Vénitiennes
Eric Martinez-Bournat, director

Desmarets: De Profundis
Hanna Bayodi, soprano
Sebastian Droy, tenor
Stephanie Revidate, soprano
Francois-Nicola Gestot, high tenor
Le Concert Spirituel
Hervé Niquet, director