Main content

Tricky timing

Tom Service on the fascination of music written in unusual time signatures.

Two, three and four beats in a bar are pretty standard in music. But what happens when a composer decides to go with 7 or 5 or 13 as the underlying structure? And why would they do that?

Tom Service talks to composer Anna Meredith and conductor Martyn Brabbins about the fascination and challenge of the off-beat beat.

Available now

29 minutes

Last on

Fri 6 Nov 2020 16:30

Music Played

  • Ludwig van Beethoven

    Symphony no. 5 in C minor Op.67

    Conductor: Charles Mackerras. Performer: Scottish Chamber Orchestra.
    • Hyperion.
    • CDS44301/5.
  • Donna Summer

    I Feel Love

    • MERCURY.
    • 526-217 2.
  • John Philip Sousa

    The Liberty bell - march

    Performer: Eastman Wind Ensemble.
    • Mercury.
    • SACD 475 6182.
  • 脡mile Waldteufel

    Les Patineurs [The skaters] - waltz Op.183

    Conductor: Sir Charles Groves. Performer: Philharmonia Orchestra.
    • Denon.
    • CO73674.
  • Lalo Schifrin

    Mission Impossible

    Performer: Ensemble Triptikh.
    • Ad Vitam Records.
    • AV200615D.
  • Christopher Tye

    In nomine (Trust) for 5 instruments

    Performer: The Newberry Consort.
    • HARMONIA MUNDI.
    • hm-1106.
  • Dave Brubeck

    Unsquare Dance

    Performer: Dave Brubeck.
    • CBS.
    • CDCBS-32046.
  • Wolfgang Amadeus Mozart

    Symphony no. 41 in C major K.551 (Jupiter)

    Conductor: Iv谩n Fischer. Performer: Budapest Festival Orchestra.
    • Hungaroton.
    • HCD12982.
  • Gustav Holst

    The Planets - suite Op.32

    Conductor: Sir Simon Rattle. Performer: Berlin Philharmonic Orchestra.
    • EMI.
    • 0946 369690 2 2.
  • Fr茅d茅ric Chopin

    Sonata no. 1 in C minor Op.4 for piano

    Performer: Leif Ove Andsnes.
    • Warner.
    • 5099923228856.
  • George Frideric Handel

    Orlando - opera in 3 acts

    Conductor: Bernard Labadie. Performer: Vivica Genaux. Performer: Les Violons du Roy.
    • Warner.
    • 0724354573750.
  • Traditional

    Paidushko

    Performer: La Nef.
    • Atma.
    • ACD22390.
  • Paul Desmond

    Take five

    Performer: The Dave Brubeck Quartet.
    • Polygram.
    • 819 882-2.
  • Juan de Anchieta

    Con amores, la mi madre for 4 voices [Cancionero de Palacio, c.1505-20]

    Performer: Tenebrae.
    • Signum.
    • SIGCD903.
  • Pyotr Ilyich Tchaikovsky

    Symphony no. 6 in B minor Op.74 (Pathetique)

    Conductor: Teodor Currentzis. Performer: Musica 脝terna Orchestra.
    • Sony.
    • 8898 5404352.
  • Frank Zappa

    Don't Eat The Yellow Snow

    Performer: Frank Zappa.
    • Rykodisc.
    • RCD-80519.
  • Igor Stravinsky

    The Firebird - ballet

    Conductor: Andris Nelsons. Performer: City of Birmingham Symphony Orchestra.
    • Orfeo.
    • C804101A.
  • Leonard Bernstein

    Candide - comic operetta in 2 acts

    Performer: Fleur Mino. Performer: Jennifer Hardy. Performer: Juan Carlos Echeverry. Performer: Kevin Amos.
    • Klarthe.
    • KLA030D.
  • Ron Jarzombek

    A headache and a sixty-fourth

    Performer: Ron Jarzombek.
    • Mr. Kitty Records.
    • MK 1302.
  • x Meshuggah

    Nuclear Blast 鈥- NB 336-2

    Performer: x Meshuggah.
    • Nuclear Blast.
    • NB 336-2.
  • Alan Hawkshaw

    Countdown Theme

    Performer: Margaret John.
  • Anna Meredith

    Orlok

    Performer: Anna Meredith.
    • Moshi Moshi.
    • MOSHI161.
  • Igor Stravinsky

    The Rite of Spring

    Conductor: Valery Gergiev. Performer: Mariinsky Orchestra.
    • Philips.
    • 4680352.
  • Brian Ferneyhough

    La Terre est un homme for orchestra

    Conductor: Martyn Brabbins. Performer: 大象传媒 Symphony Orchestra.
    • NMC.
    • NMCD231.
  • Gyorgy Ligeti

    Poeme symphonique for 100 metronomes [1962]

    Performer: Aurora Orchestra.
    • Warner.
    • 2564608223.

Broadcasts

  • Sun 1 Nov 2020 17:00
  • Fri 6 Nov 2020 16:30

Why do we call it 'classical' music?

Tom Service poses a very simple question (with a not-so-simple answer).

Six of the world's most extreme voices

From babies to Mongolian throat singers: whose voice is the most extreme of all?

How did the number 12 revolutionise music?

How did the number 12 revolutionise music?

How Schoenberg opened a new cosmos for composers and listeners to explore.

Why are we all addicted to bass?

Why are we all addicted to bass?

Bass is everywhere, but why do we enjoy it? Join Tom Service on a journey of discovery.

Watch the animations

Join Tom Service on a musical journey through beginnings, repetition and bass lines.

When does noise become music?

We like to think we can separate 鈥渘oise鈥 from 鈥渕usic鈥, but is it that simple?

Podcast