James P Johnson Returns
Donald Macleod journeys with James P Johnson as he comes out of retirement and makes a comeback.
Donald Macleod journeys with James P Johnson as he comes out of retirement and makes a comeback.
James P Johnson is known as the Father of Stride Piano, and composed the most iconic work that captures the essence of the Roaring Twenties, the Charleston. Both pianist and composer, he not only wrote jazz but also music for theatrical shows, symphonic works and opera too. He performed alongside jazz greats such as Fats Waller, Willie the Lion Smith and Sidney Bechet, and also collaborated with George Gershwin as well. Johnson was an early pioneer in the recording industry, and made many studio recordings as a soloist and with his own jazz band. Yet despite all of this, his name has been largely forgotten today. One possible reason for this is that being a transitional figure between ragtime and jazz, he’s been hard to categorise. Each day in this series, Donald Macleod will explore a period in Johnson’s life where Johnson strove to achieve a different role: recording artist, theatre composer, performer and teacher, and also a tickler - a ragtime saloon pianist.
Many years of working late nights as a performer, and also alcohol abuse, started to take its toll on Johnson’s health in later life. He was advised to take a step back from performing and to restrict his alcohol intake, and it was during this period that he had the opportunity to focus more on writing largescale orchestral works. Johnson however wasn’t long in retirement, and soon he stepped back into the limelight, writing music for stage shows, performing both live and in the studio. But after a series of strokes, by the early 1950s Johnson was left irreversibly paralysed. In late November 1955, another massive stroke came and American music lost one of the greatest figures of the day.
Hungry Blues
Ruby Smith, vocals
Jimmy Johnson and His Orchestra
Harlem Hotcha
Omer Simeon and his Trio
Ain’tcha Got Music
Marty Grosz and the Hot Winds
Harlem Symphony
The Concordia Orchestra
Marin Alsop, conductor
Lonesome Reverie
James P. Johnson, piano
Gut Stomp
James P. Johnson, piano
Blues for Fats
James P. Johnson, piano
You Can’t Lose a Broken Heart
K. D. Lang, vocal
Tony Bennett, vocal
Studio orchestra
Charleston
The This Is Jazz All-Stars
Produced by Luke Whitlock, for ´óÏó´«Ã½ Wales
Last on
More episodes
Next
You are at the last episode
Music Played
-
James Price Johnson
Hungry Blues
Singer: Ruby Smith. Ensemble: Jimmy Johnson and his Orchestra.- Classics 711.
- Classics.
- 4.
-
James Price Johnson
Harlem Hotcha
Ensemble: Omer Simeon And His Trio.- ASV CDAJA5355.
- ASV.
- 22.
-
James Price Johnson
Ain'tcha Got Music
Ensemble: Marty Grosz And The Hot Winds.- Arbors ARCD19427.
- Arbors.
- 12.
-
James Price Johnson
Harlem Symphony
Orchestra: Concordia Orchestra. Conductor: Marin Alsop.- NIMBUS : NI2745.
- NIMBUS.
- 2.
-
James Price Johnson
Lonesome Reverie
Performer: James P. Johnson.- Classics 711.
- Classics.
- 12.
-
James Price Johnson
Gut Stomp
Performer: James P. Johnson.- Classics 824.
- Classics.
- 6.
-
James Price Johnson
Blues For Fats
Performer: James P. Johnson.- Classics 824.
- Classics.
- 12.
-
James Price Johnson
You Can't Lose a Broken Heart
Singer: k.d. lang. Singer: Tony Bennett. Orchestra: Studio Orchestra.- RPM 5098702.
- RPM.
- 10.
-
James Price Johnson
Charleston
Ensemble: The This Is Jazz All-Stars.- ASV CDAJA5355.
- ASV.
- 24.
Broadcast
- Fri 13 Nov 2020 12:00´óÏó´«Ã½ Radio 3
Beethoven Unleashed – the box set
What was really wrong with Beethoven?
Composers A to Z
Who knew? Five eye-opening stories from Composer of the Week
Five reasons why we love Parry's Jerusalem
What is the strange power of Jerusalem which makes strong men weep?
A man out of time – why Parry's music and ideas were at odds with his image...
The composer of Jerusalem was very far from the conservative figure his image suggests.
Composer Help Page
Find resources and contacts for composers from within the classical music industry.