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Kate Molleson talks to the pianist Anne Queffelec about one of her life’s passions, Satie, the clarity she observes in French music, and how writing is helping her during lockdown.

The musicologist Jillian C. Rogers, author of a new book ‘Resonant Recoveries: French Music and Trauma Between the World Wars’, describes how sound played a role in healing throughout the interwar period, and draws parallels with today's world during the Covid-19 pandemic.

As the Endellion Quartet announces its retirement, we speak to violinist Andrew Watkinson and cellist David Waterman about the joy of playing card games during concert intervals, arguments over concert attire, and more than four decades of life together inside the ensemble.

And following the recent announcements of plans to ease lockdown restrictions, we ask musicians on the ground to share their expectations and fears for performance as well as what the roadmap might mean for musical activity. We hear from the Afrobeat band leader and educator, Dele Sosimi; solo horn with the City of Hull Band, Wendy Orr; and soprano with the Tallis Scholars, Amy Haworth.