大象传媒

Puccini's opera La Rondine - the Swallow - was commissioned to be an operetta but instead he delivered a comic opera. Initially it was well received but soon denounced and the 'gem', as Puccini called it, has always seemed the poor relation to his other great operas.
The score is full of dance rythms, such as the tango, foxtrot and the waltz, denoting various characters, all woven into Puccini's luscious and melodious score.
The story has parallels to La Traviata - a doomed love story between a courtesan, Magda, and an innocent man, Ruggero - who is devastated when Magda reveals her past and explains they cannot be together and, like a swallow, flies off.

This archive performance from January 10, 2009 is presented by Mary Jo Heath with commentator Ira Siff

Magda ..... Angela Gheorghiu (soparno)
Lisette ..... Lisette Oropesa (soprano)
Ruggero ..... Roberto Alagna (tenor)
Prunier ..... Marius Brenciu (tenor)
Rambaldo ..... Samuel Ramey (bass)

Marco Armiliato, conductor

Photo: Angela Gheorghiu as Magda and Roberto Alagna as Ruggero in Puccini's "La Rondine."
(C) Ken Howard/Metropolitan Opera

SYNOPSIS
ACT I
Paris, the 1920s. The wealthy Rambaldo and his mistress, Magda, are entertaining theatrical and literary friends. Prunier, a poet and the lover of Magda鈥檚 maid, Lisette, declares that romantic love is back in fashion. No one except Magda takes him seriously. When Prunier sings a ballad he has written about a girl who rejects the love of a king, Magda sits at the piano and finishes the song, making up a second verse that tells how the girl falls in love with a student (鈥淐hi il bel sogno di Doretta鈥�). She thinks about her own flirtations and recalls an encounter with a young man at Bullier鈥檚 restaurant. Rambaldo says he knows what love means and gives Magda a pearl necklace, which she accepts without changing her opinion that love has nothing to do wealth. Prunier offers to read Magda鈥檚 palm and predicts that she will go south in pursuit of romance and happiness, just like 鈥渓a rondine,鈥� the swallow. Rambaldo introduces a visitor, Ruggero, the son of a childhood friend, who is new to Paris and wants to know where to spend the evening. They decide on Bullier鈥檚, and Ruggero leaves to go there. Lisette, flirting with Prunier, tells him that it is her night off and the two follow Ruggero. As the guests depart, Magda decides to remain at home, then changes her mind. She dresses as a shop girl and leaves, confident that no one will recognize her, and ready for an adventure at the restaurant.

ACT II
Bullier鈥檚 restaurant is alive with a crowd of artists, students, and young women. Ruggero sits alone at a table. When Magda enters, several young men approach her, but she says she already has a date and joins Ruggero. He doesn鈥檛 recognize her. She introduces herself as Paulette. When she teases him about his probable love affairs, he replies that should he ever love a woman, it would be forever. While they talk and dance, they both realize that they have fallen in love with each other. Prunier and Lisette arrive. She is startled by the sight of Magda, but Prunier, understanding the situation, convinces her that it is someone else with a chance resemblance. Suddenly Rambaldo appears, and Prunier asks Lisette to keep Ruggero out of sight. Rambaldo demands an explanation for her escapade from Magda. She replies that she has found true love and is going to leave him. Rambaldo bows ironically, expressing hope that she will not regret it. Ruggero returns and Magda leaves with him to start a new life.

ACT III
Magda and Ruggero have been living in a villa on the Riviera, but their money is running out. Ruggero says he has written to his mother for her consent to their marriage and paints an idyllic picture of his family鈥檚 home in the country. Madga is dismayed that her lover doesn鈥檛 know anything of her past. After he has left, Prunier and Lisette arrive, quarreling: he had tried to make her a singer but her debut was a disaster. Magda tells Lisette she would be glad to take her into service once more. Prunier, who can鈥檛 imagine Magda continuing her fantasy life, delivers a message from Rambaldo: he is ready to welcome her back on any terms. Prunier leaves as Ruggero returns with a letter from his mother, who is delighted that her son has found a good and virtuous bride. Heartbroken, Magda confesses that she can be his mistress but never his wife. He insists he loves her anyway, but she says she will not ruin his future. Leaving the devastated Ruggero behind, she turns away to go back to her old life.