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Ahead of a new production of Britten's Peter Grimes at the Royal Opera House, Sara Mohr-Pietsch hears from members of the creative team bringing this compelling tale of an outsider to life, in a post-pandemic, 21st-century context.

The composer Anna Clyne also talks to Sara about her latest work, including a Handel-inspired piece to be premiered later this month by the Academy of Ancient Music and the National Youth Choir of Great Britain.

As the situation in Ukraine continues, Sara looks talks to Peter Gelb, general manager of the Metropolitan Opera in New York, about the company's parting of ways with Russian soprano Anna Netrebko, and to conductor Thomas Sanderling about the decision to leave his post at the Novosibirsk Philharmonic Orchestra, asking the question of how one effectively balances art and politics.

And the phenomenally successful Italian composer Ludovico Einaudi joins Sara from his home studio in the Italian Alps, where the pandemic allowed a break in his usual hectic schedule to reappraise his creative process.

Producer: Sam Hickling

Image: Ludovico Einaudi (c) Duet Postscriptum