Main content
Sorry, this episode is not currently available

Edward Gregson talks to Donald Macleod about a new role with new responsibilities and a trip to China that nearly ended in disaster.

Edward Gregson the talks to Donald Macleod about a new role with new responsibilities.

All this week, Donald Macleod is in conversation with British composer, Edward Gregson, who offers a fascinating window into his own story and also the life and work of his mentor, Alan Bush. We’ll see how both composers have made significant contributions to Britain’s musical story, and we explore the events that led to the very different trajectories of their careers.

Edward Gregson knew that classical music would be his life after encountering Brahms’s music as a teenager. He studied composition with Alan Bush, and his natural instinct for melody and brilliant orchestral colour have made him a popular choice with audiences and performers across the world. He also prides himself in rising to a challenge, including taking on the leadership of one of Britain’s major musical conservatoires.

In the early part of the 20th century, Alan Bush seemed destined to become of the regular stalwarts of Britain’s music scene, alongside his contemporaries William Walton and Michael Tippett. It was not to be. Bush's conversion to communism put him at odds with the British establishment and sent his career in a very different direction. His story is intriguing and frustrating in equal measure but, Edward argues, Bush’s ever-present political agenda shouldn’t detract from the intrinsic quality of his music.

Today we return our focus to the music of Edward Gregson. Donald talks to the composer about his move to Manchester, as principal of the Royal Northern College of Music, and a trip to China that nearly ended in disaster. Plus, they discuss Edward’s fascination for writing concertos.

Gregson: Stepping Out
´óÏó´«Ã½ Concert Orchestra
Bramwell Tovey, conductor

Gregson: Violin Concerto (2nd mvt)
Olivier Charlier, violin
´óÏó´«Ã½ Philharmonic
Martyn Brabbins, conductor

Gregson: Shadow of Paradise
Melinda Maxwell, oboe
Richard Benjafield, percussion

Gregson: Make a Joyful Noise
East London Chorus
Paul Ayres, organ
Locke Brass Consort
Michael Kibblewhite, conductor

Gregson: Clarinet Concerto (Part 1)
Michael Collins, clarinet
´óÏó´«Ã½ Philharmonic
Martyn Brabbins, conductor

59 minutes

Music Played

  • Edward Gregson

    Stepping Out

    Orchestra: ´óÏó´«Ã½ Concert Orchestra. Conductor: Bramwell Tovey.
    • Gregson:Trombone & Cello Concertos etc.
    • 7.
  • Edward Gregson

    Violin Concerto (2nd mvt)

    Performer: Olivier Charlier. Orchestra: ´óÏó´«Ã½ Philharmonic. Conductor: Martyn Brabbins.
    • CHANDOS : CHAN10105.
    • CHANDOS.
    • 8.
  • Edward Gregson

    Shadow of Paradise

    Performer: Melinda Maxwell. Performer: Richard Benjafield.
    • DUTTON EPOCH : CDLX 7180.
    • DUTTON EPOCH.
    • 9.
  • Edward Gregson

    Make a Joyful Noise

    Performer: Paul Ayres. Choir: East London Chorus. Ensemble: Locke Brass Consort. Conductor: Michael Kibblewhite.
    • KOCH INTERNATIONAL CLASSICS : 3-7202-2 H1.
    • KOCH INTERNATIONAL CLASSICS.
    • 17.
  • Edward Gregson

    Clarinet Concerto (Part 1)

    Performer: Michael Collins. Orchestra: ´óÏó´«Ã½ Philharmonic. Conductor: Martyn Brabbins.
    • CHANDOS : chan-10105.
    • CHANDOS.
    • 2.

Broadcast

  • Wed 16 Feb 2022 12:00

Vaughan Williams Today

Vaughan Williams Today

Programmes, concerts and features celebrating Vaughan Williams's 150th anniversary.

Beethoven Unleashed – the box set

Beethoven Unleashed – the box set

The complete set of Radio 3 Beethoven Unleashed podcasts, with Donald Macleod.

What was really wrong with Beethoven?

What was really wrong with Beethoven?

Georgia Mann and neurosurgeon Henry Marsh examine the composer's numerous health problems

Composers A to Z

Composers A to Z

Visit the extensive audio archive of Radio 3 programmes about Composers and their works.

Who knew? Five eye-opening stories from Composer of the Week

Who knew? Five eye-opening stories from Composer of the Week

The production team reflects on 5 of Donald Macleod’s best stories from the last 20 years

Five reasons why we love Parry's Jerusalem

What is the strange power of Jerusalem which makes strong men weep?

A man out of time – why Parry's music and ideas were at odds with his image...

The composer of Jerusalem was very far from the conservative figure his image suggests.

Composer Help Page

Find resources and contacts for composers from within the classical music industry.