A Master of Style
Donald Macleod talks to composer Emilie Bernstein about her father, film composer, Elmer Bernstein. They discuss his work with Martin Scorsese and his final film, Far from Heaven.
Donald Macleod talks with composer Emilie Bernstein about her father: film composer, Elmer Bernstein. They discuss his projects with film director, Martin Scorsese, and his final picture "Far from Heaven".
Born in 1922, Elmer Bernstein created the music for more than 150 films. His big break was one of Hollywood's biggest pictures, Cecil B DeMille's swan song, the 1955 biblical epic, "The Ten Commandments". At the same time as working on that enormous canvas for DeMille, Bernstein was composing the first in a series of groundbreaking jazz-infused scores, "The Man with the Golden Arm". He went on to write the music for the Hollywood adaptation of Harper Lee's classic novel "To Kill a Mockingbird", westerns that include The Magnificent Seven, surely one of the best-known title themes in the history of cinema, before he became the go to composer for John Wayne. His scores for action adventures include "The Great Escape" and a moving depiction of the inner life of a prisoner in "Birdman of Alcatraz". Nominated on numerous occasions, he won an Oscar for "Thoroughly Modern Millie". In the 1980s he delighted younger generations of cinema goers with scores such as "National Lampoon's Animal House", "Ghostbusters" and "Airplane!", before deciding to make a return to more serious drama. Projects with Martin Scorsese included the film of Edith Wharton's novel "The Age of Innocence", and a remake of "Cape Fear". Bernstein also created a remarkable portrait of the artist Christy Brown in "My Left Foot". His last score, for which he received a final Oscar nomination, was for Todd Haynes's "Far from Heaven" in 2002. He died just two years later in 2004.
Donald Macleod marks the centenary of this gifted and versatile film composer in conversation with Peter and Emilie Bernstein, two of Elmer Bernstein's children. They offer a fascinating insider's view into the film music industry alongside a personal portrait of their father.
For more than fifty years Elmer Bernstein remained a consummate master craftsman among Hollywood film composers. His daughter Emilie explains something of his working methods.
Far from Heaven
Autumn in Connecticut
Hollywood Studio Symphony
Elmer Bernstein, conductor
Far From Heaven
Hit
Crying
Turning Point
Cathy and Raymond Dance
Hollywood Studio Symphony
Elmer Bernstein, conductor
Rambling Rose
Let that crazy creature out
Fever
Safe house
The Royal Philharmonic Pops Orchestra
Cynthia Millar, ondes martenot
Elmer Bernstein, conductor
Devil in a Blue Dress
Main titles
Malibu Chase
Elmer Bernstein, conductor
Bernard Herrmann, adapted, arranged by Elmer Bernstein
Cape Fear
Houseboat
The Fight
Destruction
The End
Orchestra conducted by Elmer Bernstein
The Age of Innocence
Main title
Elmer Bernstein, conductor
Producer Johannah Smith
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Music Played
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Elmer Bernstein
'Autumn in Connecticut' from Far From Heaven
Orchestra: Hollywood Studio Symphony Orchestra. Conductor: Elmer Bernstein.- Varese Sarabande : 3020664212.
- Varese Sarabande.
- 1.
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Elmer Bernstein
Far From Heaven (excerpt)
Orchestra: Hollywood Symphony Orchestra. Conductor: Elmer Bernstein.- Varese Sarabande : 3020664212.
- Varese Sarabande.
- 9.
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Elmer Bernstein
Rambling Rose (excerpt)
Performer: Cynthia Millar. Orchestra: Royal Philharmonic Pops Orhcestra. Conductor: Elmer Bernstein.- Virgin : CDVMM5.
- Virgin.
- 9.
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Elmer Bernstein
Devil In A Blue Dress (excerpt)
Conductor: Elmer Bernstein.- COLUMBIA : 4813792.
- Columbia.
- 1.
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Elmer Bernstein
Cape Fear (excerpt)
Conductor: Elmer Bernstein.- MCA : Records 10463.
- MCA.
- 12.
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Elmer Bernstein
'Main Title' from The Age Of Innocence
Conductor: Elmer Bernstein. Orchestra: Unknown.- EPIC RECORDS : EPC 4745764.
- EPIC RECORDS.
- 1.
Broadcast
- Fri 8 Apr 2022 12:00´óÏó´«Ã½ Radio 3
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